fulcher3

content/article/fulcher.md

@@ -39,7 +39,7 @@ Island. The inhabitants of these towns and villages use both modern
 paint, purchased at the market, and traditional pigments, gathered from
 the landscape, to decorate their houses.
 
-![Map of the Nile Valley showing locations of places mentioned in text.](../static/images/fulcher/fig 1.jpg "Map of the Nile Valley showing locations of places mentioned in text.")
+![Map of the Nile Valley showing locations of places mentioned in text.](../static/images/fulcher/fig1.jpg "Map of the Nile Valley showing locations of places mentioned in text.")
 
 **~~Figure 1. Map of the Nile Valley showing locations of places mentioned
 in text.~~**
@@ -88,7 +88,7 @@ gum Arabic can be harvested, grow in the local area, and were also
 present in ancient times, as evidenced by plant remains from Amara
 West.[^14]
 
-![Fragment of painted wall plaster from house E13.7 at Amara West (F5049c).](../static/images/fulcher/fig 2.jpg "Fragment of painted wall plaster from house E13.7 at Amara West (F5049c).")
+![Fragment of painted wall plaster from house E13.7 at Amara West (F5049c).](../static/images/fulcher/fig2.jpg "Fragment of painted wall plaster from house E13.7 at Amara West (F5049c).")
 
 **~~Figure 2. Fragment of painted wall plaster from house E13.7 at Amara West (F5049c).~~**
 
@@ -189,7 +189,7 @@ piece of leather with the hair still attached to paint the *gir* onto
 the walls, or a sheep's tail. One family poured *gir* over the walls
 from a teapot.
 
-![House of one of the respondents. Interior (left) painted in red and yellow bombastic; exterior (right) mud plastered in a circular pattern and painted with yellow gir.](../static/images/fulcher/fig 3.jpg "House of one of the respondents. Interior (left) painted in red and yellow bombastic; exterior (right) mud plastered in a circular pattern and painted with yellow gir.")
+![House of one of the respondents. Interior (left) painted in red and yellow bombastic; exterior (right) mud plastered in a circular pattern and painted with yellow gir.](../static/images/fulcher/fig3.jpg "House of one of the respondents. Interior (left) painted in red and yellow bombastic; exterior (right) mud plastered in a circular pattern and painted with yellow gir.")
 
 **~~Figure 3. House of one of the respondents. Interior (left) painted in red and yellow bombastic; exterior (right) mud plastered in a circular pattern and painted with yellow gir.~~**
 
@@ -242,7 +242,7 @@ have mainly used their hands, or small metal or stone tools. A piece of
 flat stone picked up in the desert would make an effective shovel and
 obviate the need to carry a tool from the town and back.
 
-![Sofiha can containing gir.](../static/images/fulcher/fig 4.jpg "Sofiha can containing gir.")
+![Sofiha can containing gir.](../static/images/fulcher/fig4.jpg "Sofiha can containing gir.")
 
 **~~Figure 4. Sofiha can containing gir.~~**
 
@@ -285,7 +285,7 @@ removal of a tail, or acquiring a piece of skin with wool attached after
 an animal had been slaughtered. Soft tissue animal products would be
 very unlikely to survive in the archaeological record.
 
-![Ancient Egyptian paintbrush dating to the New Kingdom. The Metropolitan Museum of Art, New York, Gift of J. Pierpont Morgan, 1917.](../static/images/fulcher/fig 5.jpg "Ancient Egyptian paintbrush dating to the New Kingdom. The Metropolitan Museum of Art, New York, Gift of J. Pierpont Morgan, 1917.")
+![Ancient Egyptian paintbrush dating to the New Kingdom. The Metropolitan Museum of Art, New York, Gift of J. Pierpont Morgan, 1917.](../static/images/fulcher/fig5.jpg "Ancient Egyptian paintbrush dating to the New Kingdom. The Metropolitan Museum of Art, New York, Gift of J. Pierpont Morgan, 1917.")
 
 **~~Figure 5. Ancient Egyptian paintbrush dating to the New Kingdom. The Metropolitan Museum of Art, New York, Gift of J. Pierpont Morgan, 1917.~~**
 
@@ -310,7 +310,7 @@ curl around it, and how the weight feels when it is brought down. The
 arm muscle quickly begins to ache, and small injuries to the grinding
 hand would have been hard to avoid.
 
-![Grinding red ochre on a small grindstone. Left - Piece of red ochre to be ground. Right -- after grinding, pigment has spilled onto the floor and there is no working space left on the grindstone.](../static/images/fulcher/fig 6.jpg "Grinding red ochre on a small grindstone. Left - Piece of red ochre to be ground. Right -- after grinding, pigment has spilled onto the floor and there is no working space left on the grindstone.")
+![Grinding red ochre on a small grindstone. Left - Piece of red ochre to be ground. Right -- after grinding, pigment has spilled onto the floor and there is no working space left on the grindstone.](../static/images/fulcher/fig6.jpg "Grinding red ochre on a small grindstone. Left - Piece of red ochre to be ground. Right -- after grinding, pigment has spilled onto the floor and there is no working space left on the grindstone.")
 
 **~~Figure6. Grinding red ochre on a small grindstone. Left - Piece of red ochre to be ground. Right -- after grinding, pigment has spilled onto the floor and there is no working space left on the grindstone.~~**
 
@@ -508,7 +508,7 @@ way a house is laid out and decorated could be referred to as a
 homescape, the way the space is manipulated by the addition of colour
 (and other elements) to curate the house into a home within a community.
 
-Acknowledgements
+**Acknowledgements**
 
 Research was conducted during a Collaborative Doctoral Award at UCL and
 the British Museum, funded by the Arts and Humanities Research Council
@@ -516,7 +516,7 @@ the British Museum, funded by the Arts and Humanities Research Council
 British Museum Amara West Project, funded by the Qatar-Sudan
 Archaeological Project, Leverhulme Trust, and British Academy.
 
-References
+**References**
 
 Binder, Michaela. "The New Kingdom Tombs at Amara West:
 Funerary Perspectives on Nubian -- Egyptian Interactions." In *Nubia in
@@ -648,7 +648,7 @@ W. Conkey, pp. 93--131. Oxford: Blackwell, 1991.
 
 Wenzel, Marian. *House Decoration in Nubia*. London: Duckworth,
 1972.
-
+____________________________
 
 **Images available here:**
 <https://1drv.ms/u/s!AnQUQ06LWl5ygpFpxGL_Y3uMI9k7fQ?e=BtO2CH>
@@ -728,7 +728,7 @@ Wenzel, Marian. *House Decoration in Nubia*. London: Duckworth,
     "Coloured Materials Used in Elephantine: Evolution and Continuity
     from the Old Kingdom to the Roman Period"; Kemp and
     Stevens, *Busy Lives at Amarna: Excavations in the
-    Main City (Grid 12 and the House of Ranefer, N49.18). Volume I.*.
+    Main City (Grid 12 and the House of Ranefer, N49.18). Volume I*.
 
 [^21]: Çamurcuoğlu, *The Wall Paintings of Çatalhöyük
     (Turkey)*, pp. 240-246.