fulcher3

content/article/fulcher.md

@@ -5,7 +5,7 @@ abstract: Homes in Nubia are decorated by their inhabitants, using materials fro
 keywords: ["Archaeology", "Sudan"]
 ---
 
-1\. Introduction
+# Introduction
 
 Ancient people used colour in their homes for many of the same reasons
 as people do today -- to lighten walls, to highlight important areas, to
@@ -44,7 +44,7 @@ the landscape, to decorate their houses.
 **~~Figure 1. Map of the Nile Valley showing locations of places mentioned
 in text.~~**
 
-2\. Ancient evidence
+# Ancient evidence
 
 Paints and pigments were found from all areas of the town of Amara West,
 in the form of lumps of raw pigment (red, yellow, blue), broken pottery
@@ -93,7 +93,7 @@ West.[^14]
 **~~Figure 2. Fragment of painted wall plaster from house E13.7 at Amara West (F5049c).~~**
 
 
-3\. Ethnoarchaeology
+# Ethnoarchaeology
 
 Archaeological sites provide a huge amount of data about the tangible
 remains but it can be difficult to interpret these in terms of the human
@@ -193,7 +193,7 @@ from a teapot.
 
 **~~Figure 3. House of one of the respondents. Interior (left) painted in red and yellow bombastic; exterior (right) mud plastered in a circular pattern and painted with yellow gir.~~**
 
-4\. Re-construction of ancient painting materials
+# Re-construction of ancient painting materials
 
 Various raw materials need to be collected and processed to make paint,
 and ancillary materials are also needed, for example, paintbrushes,
@@ -360,7 +360,7 @@ and children, and cleaning. The task of painting was part of a much
 wider interconnected taskscape, the "spatiotemporal layout of activity
 at a site"[^23].
 
-5\. Narratives
+# Narratives
 
 The archaeological evidence, information gathered from interviews, and
 experience of collecting materials and making paint have been combined
@@ -486,7 +486,7 @@ is pleased with the effect the paint has had. Soon it will be somebody
 else's turn and we will have the chance to help them and share their
 food.*
 
-6\. Conclusion
+# Conclusion
 
 Combining archaeological evidence, interviews of the current inhabitants
 of the area, and a re-creation of painting materials, allowed the
@@ -508,7 +508,7 @@ way a house is laid out and decorated could be referred to as a
 homescape, the way the space is manipulated by the addition of colour
 (and other elements) to curate the house into a home within a community.
 
-**Acknowledgements**
+# Acknowledgements
 
 Research was conducted during a Collaborative Doctoral Award at UCL and
 the British Museum, funded by the Arts and Humanities Research Council
@@ -516,7 +516,7 @@ the British Museum, funded by the Arts and Humanities Research Council
 British Museum Amara West Project, funded by the Qatar-Sudan
 Archaeological Project, Leverhulme Trust, and British Academy.
 
-**References**
+# References
 
 Binder, Michaela. "The New Kingdom Tombs at Amara West:
 Funerary Perspectives on Nubian -- Egyptian Interactions." In *Nubia in