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@ -255,7 +255,7 @@ stances that are indexed through the language chosen. In other words,
indexicality is interpreted in light of the semiotic associations
between linguistic forms, social meanings, and identities. Ochs
identifies two types of indexicality, direct and indirect, and each
performs different functions in discourse. According to Och,[^16] direct
performs different functions in discourse. According to Ochs,[^16] direct
indexicality refers to interactional stances, including evaluative
stances, while indirect indexicality points to social stances.
@ -392,7 +392,7 @@ of Egyptians and showcasing a unique authentic tradition.[^22] Overall,
two of the main characters spoke very highly of Nubians, expressing
respect and appreciation for both the people and their culture.
The second soap opera, *il-muɣani '*The Singer,' broadcasted in 2016,
The second soap opera, *il-muɣani* 'The Singer,' broadcasted in 2016,
features a famous Nubian actor, Mohamed Mounir, as the main character,
with the entire series revolving around him and his life. Although it
did not gain the widespread popularity of other soap operas, it stands
@ -833,7 +833,7 @@ In total, he performed in twelve movies, four TV shows, and three plays.
Mounir has about ten Nubian songs out of 350 and has over twenty-four
albums. Some of Mounir's Nubian songs are translated into Arabic and
accessible on YouTube and social media. In addition, he was the lead
actor on a TV show titled *il-muɣani '*the singer,' which aired on
actor on a TV show titled *il-muɣani* 'the singer,' which aired on
television and YouTube in 2016. The TV show revolves around Mounir's
personal and professional life, his Nubian heritage, and raising
important issues for Nubians in Egypt including Nubian forced
@ -1218,7 +1218,7 @@ Abou-Ras, Sanaa. *The Attitude of Egyptian Nubian University Students
towards Arabic and Nubian Languages*. PhD Thesis, The American
University in Cairo, Egypt, 2012.
Bassiouney, Reem*. "*Constructing the Stereotype: Indexes and
Bassiouney, Reem. "Constructing the Stereotype: Indexes and
Performance of a Stigmatized local dialect in Egypt." *Multilingua* 37,
3 (2018): pp. 225--54.