tahanew
|
@ -13,7 +13,7 @@ stigmatized and ridiculed in the Egyptian media. Nubian speakers of the
|
|||
Fadija and Mattoki vernaculars in Egypt are associated with
|
||||
unintelligible or incompetent Arabic, dark-skinned people, working
|
||||
lower-class jobs, and so on. Among the negative indexes used in Egyptian
|
||||
media to refer to Nubians are *barbari* 'barbarian,' *bijurt^ʕ^un*
|
||||
media to refer to Nubians are *barbari* 'barbarian,' *bijurt<sup>ʕ</sup>un*
|
||||
'speaking gibberish,' or *bijtkalem ʕarabi mekasar* 'speaking broken
|
||||
Arabic.' These pejorative and prevalent images are extensively
|
||||
emphasized by the media. These constant negative indexes have compelled
|
||||
|
@ -76,7 +76,7 @@ positive movements and portrayals of Nubians. The need for fluency in
|
|||
Arabic, a skill that carries power and prestige in several domains such
|
||||
as education, religion, and public media, cannot be denied. However,
|
||||
public awareness and counterstereotypes are urgently needed among
|
||||
Egyptians---Nubians, and non- Nubians---to construct positive stances
|
||||
Egyptians---Nubians, and non-Nubians---to construct positive stances
|
||||
and provide authentic representations of the Nubian language and
|
||||
culture.
|
||||
|
||||
|
@ -379,7 +379,7 @@ to the marginalization of Nubians and perpetuate harmful stereotypes,
|
|||
underscoring ongoing issues with representation in the media.
|
||||
|
||||
Two recent soap operas stand out as exceptions to the general portrayal
|
||||
of Nubians. The first soap opera is *as^ʕ^diqaa* 'Friends,' 29-episode
|
||||
of Nubians. The first soap opera is *as<sup>ʕ</sup>diqaa* 'Friends,' 29-episode
|
||||
series streamed in 2002. In this show, the Nubian character was not
|
||||
treated as an equal by one of the friends, but rather as an outsider
|
||||
included only because of a mutual friend who did who does business with
|
||||
|
@ -445,8 +445,8 @@ your heart to be black, just like your face."[^25] This film contains
|
|||
numerous racist and discriminatory indexes, perpetuating harmful
|
||||
stereotypes
|
||||
|
||||
*Figure. 1 shows a non-Nubian actor named Soliman Eid in blackface
|
||||
pretending to be Nubian. Source: ʕija:l ħabiba 'love birds' (2005)*
|
||||
.")
|
||||
**~~Figure 1. The screenshot shows a non-Nubian actor named Soliman Eid in blackface pretending to be Nubian. Source: ʕija:l ħabiba 'love birds' (2005).~~**
|
||||
|
||||
Similarly, media makers explicitly and frequently make several direct
|
||||
insults and negative indexes about Nubians by hurling clear and
|
||||
|
@ -456,10 +456,10 @@ TV in 2013, a major female actress, Ragaa Al-Giddawy, refers to the
|
|||
Nubian male character and his family as "barbarians" saying "Listen, I
|
||||
won't let you marry my daughter unless you bring all your barbarian
|
||||
folks right here to ask for her hand in marriage."[^26] In another soap
|
||||
opera *ħuru:f ilnas^ʕ^b* 'Letters of Fraud', released in 2000, the actor
|
||||
opera *ħuru:f ilnas<sup>ʕ</sup>b* 'Letters of Fraud', released in 2000, the actor
|
||||
Hisham Selim impersonates a Nubian by wearing waiter apparel, darkening
|
||||
his face, and referring to himself as "Othman Abdel El-basset, the one
|
||||
Egyptian barbarian."[^27] In a movie produced in 1998 *s^ʕ^eʕidi fi
|
||||
Egyptian barbarian."[^27] In a movie produced in 1998 *s<sup>ʕ</sup>eʕidi fi
|
||||
ilgamʕa ilamerikja* 'An upper-Egyptian at the American University of
|
||||
Cairo', the actor Mohamed Henedi, tells a minor Nubian female character
|
||||
"No need to turn the light off. I cannot see your face already. Your
|
||||
|
|
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