Update 'content/syllabus/fifthsyllabustest.md'
This commit is contained in:
parent
ead2e7ad82
commit
9e5f74651b
1 changed files with 2 additions and 5 deletions
|
@ -11,13 +11,10 @@ title: Fifth Syllabus (Test)
|
||||||
|
|
||||||
<br>
|
<br>
|
||||||
|
|
||||||
*(Disclaimer: This article is being used as an example of how to format an article using the backend of the site. The original article is from [Edition 14] of [Synoptique].)*
|
*(Disclaimer: This article is being used as an example of how to format an article using the backend of the website. The original article is from [Edition 14] of [Synoptique].)*
|
||||||
|
|
||||||
*A sexy reading of Dziga Vertov’s **Man With A Movie Camera** in which the author explores the parallels between the camera eye of the film and the male sex organ.*
|
*A sexy reading of Dziga Vertov’s **Man With A Movie Camera** in which the author explores the parallels between the camera eye of the film and the male sex organ.*
|
||||||
|
|
||||||
<img src="https://upload.wikimedia.org/wikipedia/commons/c/c7/Mikhail_kaufman_on_train.jpg">
|
|
||||||
[Mikhail Kaufman On Train], still from *Man with a Movie Camera*.
|
|
||||||
|
|
||||||
*Author’s note: I have chosen to insert youtube clips throughout my analysis—this is, after all, an online journal. **Man With A Movie Camera** has appeared with several different musical scores in recent decades. I have chosen the Cinematic Orchestra version. The reader/viewer should feel free to mute the accompaniment if it seems distracting or undesirable—sound has no bearing on the analysis presented here.*
|
*Author’s note: I have chosen to insert youtube clips throughout my analysis—this is, after all, an online journal. **Man With A Movie Camera** has appeared with several different musical scores in recent decades. I have chosen the Cinematic Orchestra version. The reader/viewer should feel free to mute the accompaniment if it seems distracting or undesirable—sound has no bearing on the analysis presented here.*
|
||||||
|
|
||||||
<br>
|
<br>
|
||||||
|
@ -146,4 +143,4 @@ Williams, Linda. *Hard Core: Power, Pleasure, and the “Frenzy of the Visible
|
||||||
[Edition 14]: https://www.synoptique.ca/edition-14
|
[Edition 14]: https://www.synoptique.ca/edition-14
|
||||||
[Synoptique]: https://www.synoptique.ca/
|
[Synoptique]: https://www.synoptique.ca/
|
||||||
[North Country Cinema]: http://www.northcountrycinema.com
|
[North Country Cinema]: http://www.northcountrycinema.com
|
||||||
[Mikhail Kaufman On Train]: https://commons.wikimedia.org/wiki/File:Mikhail_kaufman_on_train.jpg#/media/File:Mikhail_kaufman_on_train.jpg
|
[Mikhail Kaufman On Train]: https://commons.wikimedia.org/wiki/File:Mikhail_kaufman_on_train.jpg
|
Loading…
Add table
Reference in a new issue