diff --git a/content/syllabus/fifthsyllabustest.md b/content/syllabus/fifthsyllabustest.md
index d4f0587..0b543e3 100644
--- a/content/syllabus/fifthsyllabustest.md
+++ b/content/syllabus/fifthsyllabustest.md
@@ -11,13 +11,10 @@ title: Fifth Syllabus (Test)
 
 <br>
 
-*(Disclaimer: This article is being used as an example of how to format an article using the backend of the site. The original article is from [Edition 14] of [Synoptique].)*
+*(Disclaimer: This article is being used as an example of how to format an article using the backend of the website. The original article is from [Edition 14] of [Synoptique].)*
 
 *A sexy reading of Dziga Vertov’s **Man With A Movie Camera** in which the author explores the parallels between the camera eye of the film and the male sex organ.*
 
-<img src="https://upload.wikimedia.org/wikipedia/commons/c/c7/Mikhail_kaufman_on_train.jpg">
-[Mikhail Kaufman On Train], still from *Man with a Movie Camera*.
-
 *Author’s note: I have chosen to insert youtube clips throughout my analysis—this is, after all, an online journal. **Man With A Movie Camera** has appeared with several different musical scores in recent decades. I have chosen the Cinematic Orchestra version. The reader/viewer should feel free to mute the accompaniment if it seems distracting or undesirable—sound has no bearing on the analysis presented here.*
 
 <br>
@@ -146,4 +143,4 @@ Williams, Linda. *Hard Core: Power, Pleasure, and the “Frenzy of the Visible
 [Edition 14]: https://www.synoptique.ca/edition-14
 [Synoptique]: https://www.synoptique.ca/
 [North Country Cinema]: http://www.northcountrycinema.com
-[Mikhail Kaufman On Train]: https://commons.wikimedia.org/wiki/File:Mikhail_kaufman_on_train.jpg#/media/File:Mikhail_kaufman_on_train.jpg
\ No newline at end of file
+[Mikhail Kaufman On Train]: https://commons.wikimedia.org/wiki/File:Mikhail_kaufman_on_train.jpg
\ No newline at end of file