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> This takes the form of moving from data to metadata, expressed in the form of the move from writing to publishing, from art-making to curating, from research to archiving. Another way of thinking this, suggested by Hiroki Azuma would be the move from narrative to database. The object of critical attention acquires a third dimension, a kind of informational depth. The objects before us are not just a text or an image but databases of potential texts and images, with metadata attached.
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— McKenzie Wark, "Metadata Punk", *Public Library*, edited by Tomislav Medak and Mars Marcell, 111–20. Zagreb: What, How and for Whom/WHW & Multimedia Institute, 2015.
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— McKenzie Wark, "Metadata Punk", , 111–20.
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