From 092a51d116ce043240deb22126a1a3618fe9240e Mon Sep 17 00:00:00 2001 From: Tomislav Medak Date: Mon, 6 Nov 2023 14:36:10 -0800 Subject: [PATCH] Update 'content/shard/metadatapunk.md' --- content/shard/metadatapunk.md | 2 +- 1 file changed, 1 insertion(+), 1 deletion(-) diff --git a/content/shard/metadatapunk.md b/content/shard/metadatapunk.md index b0d5bba..1fa1e9f 100644 --- a/content/shard/metadatapunk.md +++ b/content/shard/metadatapunk.md @@ -7,4 +7,4 @@ glassblowers = ["mckenziewark.md"] > This takes the form of moving from data to metadata, expressed in the form of the move from writing to publishing, from art-making to curating, from research to archiving. Another way of thinking this, suggested by Hiroki Azuma would be the move from narrative to database. The object of critical attention acquires a third dimension, a kind of informational depth. The objects before us are not just a text or an image but databases of potential texts and images, with metadata attached. -— McKenzie Wark, "Metadata Punk", *Public Library*, edited by Tomislav Medak and Mars Marcell, 111–20. Zagreb: What, How and for Whom/WHW & Multimedia Institute, 2015. \ No newline at end of file +— McKenzie Wark, "Metadata Punk", ![](bib:38a50427-a4c3-4b90-b921-c3a6718c60fb), 111–20. \ No newline at end of file