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# Popular Illegalisms in a Neoliberal World # Popular Illegalisms in a Neoliberal World
**Valeria Graziano** **Valeria Graziano**# How do we get away with (from) it? \
Popular Illegalisms in a Neoliberal World
### Valeria Graziano
## Call It What You Will ## Call It What You Will
@ -23,25 +27,105 @@ Contemporary accounts of institutional tinkering emerge across disciplines. Édo
Recently, the concept of opacity has been re-activated as a political accomplishment relevant to ongoing decolonial work in institutions.[^7] Echoing Glissant, Beirut-based artist Lawrence Abu Hamdan has been excavating the practice of *taqiyya*, a term belonging to Shia Islamic jurisprudence that connotes a legal dispensation for those who must dissimulate their faith when at risk of persecution. For Hamdan, *taqiyya* is “an admission that free speech is not about speaking freely, but reclaiming control over the very conditions under which one is being heard.”[^8] Recently, the concept of opacity has been re-activated as a political accomplishment relevant to ongoing decolonial work in institutions.[^7] Echoing Glissant, Beirut-based artist Lawrence Abu Hamdan has been excavating the practice of *taqiyya*, a term belonging to Shia Islamic jurisprudence that connotes a legal dispensation for those who must dissimulate their faith when at risk of persecution. For Hamdan, *taqiyya* is “an admission that free speech is not about speaking freely, but reclaiming control over the very conditions under which one is being heard.”[^8]
In *Jugaad Time: Ecologies of Everyday Hacking in India*, Amit Rai accounts for practices of *jugaad*—finding DIY solutions to problems—as subaltern responses to poverty and discrimination diffused across the Indian subcontinent, but also problematically celebrated in management literature.[^9] Beyond survival, it functions as creative engagement with material and technolo In *Jugaad Time: Ecologies of Everyday Hacking in India*, Amit Rai accounts for practices of *jugaad*—finding DIY solutions to problems—as subaltern responses to poverty and discrimination diffused across the Indian subcontinent, but also problematically celebrated in management literature.[^9] Beyond survival, it functions as creative engagement with material and technological constraints of daily life, challenging mainstream innovation discourses that glorify it as frugal innovation, omitting its import as a critique of capitalist production.
In *Neoliberalism from Below: Popular Pragmatics and Baroque Economies*, sociologist Veronica Gago builds on the “baroque” concept to critically examine how neoliberalism is experienced, negotiated, and resisted at the Latin American grassroots level, focusing on Buenos Aires largest illegal open-air market, La Salada.[^10] Published in 2017, the book challenges the narrative that neoliberalism is solely imposed as a top-down matrix, portraying instead as a complex process actively shaped by the practices and strategies of those it seeks to govern.
Her description builds on Aihwa Ongs definition of contemporary spatiality as “baroque ecology” and Álvaro García Linera work on “baroque modernity”,[^11] but also, albeit without direct reference, on Bolívar Echeverrías *La Modernidad de lo Barroco* to describe a distinctive Latin American way of experiencing and contesting coloniality and capitalism,[^12] characterized by “motley zones” of “temporal folding,”[^13] a “hodgepodge" mix of adaptation, resistance, and innovation,[^14] a “simultaneous coexistence of modes” that challenges at the same time the “romantic totalities” of modernity and the competitive rationality of neoliberalism.
Back in Europe, the 1990s monetary integration was accompanied by intense political debates. The acronym PIGS was introduced by *The Wall Street Journal* in 1996, to refer to four southern European nations (Portugal, Italy, Greece and Spain), marked the resurfacing of old discriminatory stereotypes, a disdain from the part of the global financial elites towards “Mediterranean indolence, to living beyond ones means, to corruption, to the lack of rules, to the absence of that ethics of rigor and business, of moderation and work that Max Weber already posed as a sine qua non condition of capitalism.”[^15] Such prejudices echo those identified by Edward Said in his seminal study of *Orientalism,* where “the incorrigibility of Orientals...proves that they are not to be trusted.”[^16] Its an old game: painting the South and East as fundamentally corrupt, somehow intrinsically flawed, to bolster the Wests sense of its own moral and economic superiority.
In Italy, one of the PIGS countries, the Southern lifestyle has long been politically contentious, notably through Antonio Gramscis *The Southern Question*, where he discussed the economic and social divide between Italys industrial North and agrarian South, attributing the Souths criminality to the administrative neglect and economic extractivism (to put it in more contemporary terms) by the State.[^17]
In the 1920s, the philosopher Benedetto Croce brought to public attention a 1600s treaty titled “On Honest Dissimulation” by the Neapolitan writer Torquato Accetto. Published in 1641, the text considers ethical behavior in politics and life, contributing to a broader debate within the Academy of the Idle, a literary institution focused on the “art of free time.” Accetto sees dissimulation—hiding the truth without lying—as a veritable Renaissance art, requiring moral discipline, a strategy for dealing with harsh realities while maintaining virtue. In 1925, Walter Benjamin and Asja Lācis coined the term “porosity” to address Naples unique qualities, contrasting it to German rationality.[^18] While Berlin reminded him of military barracks, they saw Naples as a place where no form social or architectural should be taken as permanent, where everything is in a constant state of transformation and re-adaptation. Also Alfred Sohn-Rethel, in his *The Ideal of the Broken Down* reflected on the ways in which, in the Neapolitan poverty-stricken everyday, the technical objects of modernity get their proper social use only once they are broken and then reused with “tinkering proficiency,” thus become des-alienated from the realm of capitalist commodities.[^19]
Franco Cassano and Franco Pipernos works, *Il Pensiero Meridiano* and *Elogio dello spirito pubblico meridionale*, explore political uses of the southern way of life.[^20] Cassano depicts the South as an “imaginative periphery," stating, “[g]enerally, in the Norths imagination, the South exists only as a tourist paradise or a Mafious hell.”[^21] He presents a “Meridian style,” inspired by Camus and Pasolini, valuing freedom and skepticism toward institutionalized emancipation. Piperno, a founder of *Potere Operaio*, critiques the modern states legitimacy crisis, advocating southern Italian “municipalities” as self-regulating entities, where local genius and urban political life thrive, contrasting state sovereignty with embodied sociability.
## Where Im Coming From
For my own research trajectory and the conception of the bonfires, the Italian cultural landscape of politicized plebeian illegalisms that influenced me growing up was a foundational element.
My political sensibilities were formed amidst the echoes of Italian autonomist *operaismo*, a leftist movement that emerged from the struggles of the working class but was uniquely attuned to the agency and primacy of the lumpenproletariat. Unlike more traditional leftist circles, autonomist *operaismo* acknowledged that resistance did not solely emanate from the factory floor but also from those who lived on the margins of society—people who defied both economic norms and state control. Two books, in particular, deeply informed this perspective.
Danilo Montaldis *Autobiografie della leggera*, published in 1961, documents the marginalized lives of vagabonds, pickpockets, and smugglers in the Po River valley, who skulked around the edges of postwar Italys economic boom.[^22] The word *leggera* itself carries layers of meaning, not merely referring to plebeian criminality but suggesting a kind of lightness—a nimbleness of spirit—that captures these figures improvisational tactics. In Milanese slang, *leggera* can denote the deftness of a pickpockets hand or the quiet step of a thief at night, yet it also alludes to the relative “lightness” of poor peoples pockets, a metonymy for their constant material lack. For Montaldi, these individuals embodied a cultural milieu of evasion and survival that characterized those excluded from the states industrial ambitions, creating a counter-society where being *leggera* meant thriving in the cracks of the system.
Similarly, in *Andare ai resti*, Emilio Quadrelli delves into the transformation of neighborhood gangs into *batterie*—a uniquely Italian configuration of youthful, tightly-knit criminal camaraderie.[^23] By the 1970s, these *batterie* had become fixtures of Italys urban landscape, embodying what Quadrelli calls “a continuation of defiance under different forms.” These groups werent chasing conventional power or profit; rather, as Quadrelli writes, “to make a mockery of power was the true prize, the smirk on the faces of these young rebels a greater treasure than any material spoils.” Women, too, carved out spaces within this world, moving beyond the limits imposed by both conservative and radical circles. This ethos, driven not by greed but by an irreverent thrill, was central to their way of life. It was about flipping the script on authority, about taking joy in the cracks of the system, and in deriding the so-called guardians of order.
Both Montaldi and Quadrelli relied heavily on the voices and stories of the protagonists, wrestling with the complexities of their own mediation. They aimed not to romanticize the material, but they understood that these self-narrations were not merely accounts of reality—they were acts of self-authorship, ways to construct a political identity and assert a stance. Both authors thus allowed their subjects to speak to the contradictions of their lives, illustrating how their illegal acts were not just transgressions, but expressions of agency against the encroachments of capital and state authority.
## Striking while its hot
Illegalisms—those everyday acts of maneuvering around bureaucracy and market forces—are vital to todays far-right appeal. Thus, engaging with illegalism from a leftist angle can tackle three urgent problems. First, it reveals how far-right leaders use law-breaking to build their power: figures like Trump and Berlusconi have built iconic personas by openly flouting the law, presenting themselves as anti-systemic figures, while leftist movements often find themselves cornered into defending legality, despite knowing the systems flaws. Second, it critiques the fetish of transparency in technocratic bureaucracy, where automation pretends to create fairness but instead strips away human agency in co-determining contextual decisions. And finally, the study of popular illegalism can help dislodge the moralizing horizon of hard work as a path to a successful life as presented in the hustle-and-grind cultures. The figure of the virtuoso,[^24] the self-made entrepreneur, etc. stand to receive the delinquent as their hidden doppelganger. Ingenuity is, in this sense, the big absent from the values celebrated in modern capitalist societies. Ingenuity is to class struggle what creativity is to arts and innovation is to technologies.
## Notes
[^1]: Gilmore, Ruth Wilson. "![Forgotten Places and the Seeds of Grassroots Planning.](bib:686abf24-fb41-45c4-b807-657658d15cd6)" In *Engaging Contradictions: Theory, Politics, and Methods of Activist Scholarship*, edited by Charles R. Hale, 3161. University of California Press, 2008; Povinelli, Elizabeth A. *![Economies of Abandonment: Social Belonging and Endurance in Late Liberalism](bib:19e18b84-d9e9-4b66-acef-e4e85c9a8a19)*. Duke University Press, 2011; Spade, Dean. *![Normal Life: Administrative Violence, Critical Trans Politics, and the Limits of Law](bib:30ff8341-2ea2-4b75-89ce-9ef0ae1b9b73)*. Duke University Press, 2015..
[^2]: Moten, Fred, and Stefano Harney. “![The University and the Undercommons: Seven Theses.](bib:084ca105-9e9b-46ea-875f-d655ad1aeb1f)" *Social Text* 22, no. 2 (2004): 10115.
[^3]: Wacquant, Loïc. "![Crafting the Neoliberal State: Workfare and Prisonfare in the Bureaucratic Field.](bib:953035fe-d457-432d-bc66-7490c84bbc52)" In *Bourdieus Theory of Social Fields*, 23856. Routledge, 2014..
[^4]: Friedli, Lynne, and Robert Stearn. "![Positive affect as coercive strategy: conditionality, activation and the role of psychology in UK government workfare programmes.](bib:f5934bd0-ced6-4cc6-8e91-7f3573ff6e71)" *Medical humanities* 41.1 (2015): 40-47.
[^5]: Wacquant, Loïc. “Crafting the Neoliberal State: Workfare and Prisonfare in the Bureaucratic Field.”: 248.
[^6]: Glissant, Édouard. “For Opacity.” In *![Poetics of Relation](bib:df385b94-1150-4e51-b1b6-eece496f12cd).* University of Michigan Press, 1997: 189-194.
[^7]: Davis, Benjamin P. "![The Politics of Édouard Glissants Right to Opacity.](bib:a6a02549-81ee-4908-8ab2-306d18b8520e)" *The CLR James Journal* 25, no. 1/2 (2019): 5970.
[^8]: See Lawrence Abu Hamdan's solo exhibition “تقيه (Taqiyya) The Right to Duplicity”, Kunsthalle Sankt Gallen, 11 July13 September 2015.
[^9]: Rai, Amit S. *![Jugaad Time: Ecologies of Everyday Hacking in India](bib:bc8189db-527f-42ae-910d-80840abdbf5c)*. Duke University Press, 2019.
[^10]:
Gago, Verónica. *Neoliberalism from Below: Popular Pragmatics and Baroque Economies*. Duke University Press, 2017.
[^11]:
Ong, Aihwa. *Neoliberalism as Exception: Mutations in Citizenship and Sovereignty*. Duke University Press, 2006; García Linera, Álvaro. “Sindicato, multitud y comunidad. Movimientos sociales y formas de autonomía política en Bolivia.” In *Tiempos de rebelión*, by Álvaro García Linera, Felipe Quispe, Raquel Gutiérrez Aguilar, and Luis Tapia. La Paz: Comuna and Muela del Diablo, 2001.
[^12]:
Echeverría, Bolívar. *La modernidad de lo barroco.* Ediciones Era, 2000.
[^13]:
Gago. *Neoliberalism from Below*, 21.
[^14]:
Ibid, 69.
[^15]:
Curcio, Anna. “Un paradiso abitato da diavoli … o da porci. Appunti su razzializzazione e lotte nel Mezzogiorno dItalia”, *UniNomade*, 5th September 2012. https://uninomade.org/un-paradiso-abitato-da-diavoli-o-da-porci/ (accessed October 2024).
[^16]:
Said, Edward W. *Orientalism*. Knopf Doubleday Publishing Group, 2014, 321.
[^17]:
Gramsci, Antonio. “Some Aspects of the Southern Question.” *Selections from Political Writings (19211926)*, 1978, 44162, originally written in 1926.
[^18]:
Benjamin, Walter and Asja Lacis, “Neapel” (1925). In Walter Benjamin, *Gesammelte Schriften*, ed. by Rolf Tiedemann and Herman Schweppenhauser, 7 vols, Suhrkamp, 1972.
[^19]:
Sohn-Rethel, Alfred “Das Ideal des Kaputten. Über neapolitanische Technik” (1926). In *Das*
*Ideal des Kaputten*. ça ira-Verlag, 2018, 4148; the English translation by John Garvey is
available at: https://hardcrackers.com/ideal-broken-neapolitan-approach-things-technical/ (accessed September 2024).
[^20]:
Cassano, Franco. *Il pensiero meridiano. *Gius. Laterza & Figli Spa, 2015; Piperno, Franco. *Elogio dello spirito pubblico meridionale: genius loci e individuo sociale*. Vol. 11. Manifestolibri, 1997.
[^21]:
Cassano, Francesco, and Claudio Fogu. "Il pensiero meridiano oggi: Intervista e dialoghi con Franco Cassano." California Italian Studies 1.1 (2010).
[^22]:
Montaldi, Danilo. *Autobiografie della leggera /Danilo Montaldi*. Einaudi, 1961.
[^23]:
Quadrelli, Emilio. *Andare ai resti. Banditi, rapinatori, guerriglieri nellItalia degli anni Settanta*. DeriveApprodi, 2024.
[^24]:
Virno, Paolo. *A Grammar of the Multitude: For an Analysis of Contemporary Forms of Life*. MIT Press, 2004.
## Notes ## Notes
[^1]: ![](bib:686abf24-fb41-45c4-b807-657658d15cd6); ![](bib:19e18b84-d9e9-4b66-acef-e4e85c9a8a19); ![](bib:30ff8341-2ea2-4b75-89ce-9ef0ae1b9b73).
[^2]: ![](bib:084ca105-9e9b-46ea-875f-d655ad1aeb1f): 10115.
[^3]: ![](bib:953035fe-d457-432d-bc66-7490c84bbc52).
[^4]: ![](bib:f5934bd0-ced6-4cc6-8e91-7f3573ff6e71).
[^5]: *Ibid*, 248.
[^6]: ![](bib:df385b94-1150-4e51-b1b6-eece496f12cd), see in particular "For Opacity", 189-194.
[^7]: ![](bib:a6a02549-81ee-4908-8ab2-306d18b8520e).
[^8]: See Lawrence Abu Hamdan's solo exhibition “تقيه (Taqiyya) The Right to Duplicity”, Kunsthalle Sankt Gallen, 11 July13 September 2015.
[^9]: ![](bib:bc8189db-527f-42ae-910d-80840abdbf5c).