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Alexandros Tsakos 2024-11-11 16:31:52 +01:00
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@ -312,7 +312,7 @@ hand would have been hard to avoid.
![Grinding red ochre on a small grindstone. Left - Piece of red ochre to be ground. Right -- after grinding, pigment has spilled onto the floor and there is no working space left on the grindstone.](../static/images/fulcher/fig6.jpg "Grinding red ochre on a small grindstone. Left - Piece of red ochre to be ground. Right -- after grinding, pigment has spilled onto the floor and there is no working space left on the grindstone.")
**~~Figure6. Grinding red ochre on a small grindstone. Left - Piece of red ochre to be ground. Right -- after grinding, pigment has spilled onto the floor and there is no working space left on the grindstone.~~**
**~~Figure 6. Grinding red ochre on a small grindstone. Left - Piece of red ochre to be ground. Right -- after grinding, pigment has spilled onto the floor and there is no working space left on the grindstone.~~**
Modern interviewees said that girls learnt to plaster and paint from
@ -553,7 +553,7 @@ Fulcher, Kate. *Painting Amara West: The Technology and
Experience of Colour in New Kingdom Nubia. British Museum Publications
on Egypt and Sudan 13*. Leuven: Peeters, 2022.
Fulcher, Kate and Julia Budka. "Pigments,
Fulcher, Kate, and Julia Budka. "Pigments,
incense, and bitumen from the New Kingdom town and cemetery on Sai
Island in Nubia." *Journal of Archaeological Science: Reports* 33 (2020):
102550. https://doi.org/10.1016/j.jasrep.2020.102550.
@ -584,7 +584,7 @@ Ranefer, N49.18). Volume I: The Excavations, Architecture and
Environmental Remains. EES Excavation Memoir 90*. London: Egypt
Exploration Society and Amarna Trust, 2010.
Lacovara, Peter, and Winkels, Alexandria.
Lacovara, Peter, and Alexandria Winkels.
"Malqata---The Painted Palace." In *Tracing Technoscapes: The Production
of Bronze Age Wall Paintings in the Eastern Mediterranean*, edited by
Johannes Becker, Johannes Jungfleisch and

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@ -278,9 +278,11 @@ total of at least 389 specimens, which doesn't include the groups of
unspecified number found in Houses I and VI. To our knowledge, it is the
largest group of such implements ever discovered in Sudan and Nubia.
![Summary count of loom weights per structure at Tila Island.](../static/images/yvanez/table1.jpg "Summary count of loom weights per structure at Tila Island.")
**~~Table 1. Summary count of loom weights per structure at Tila Island.~~**
As a whole, information related to textile production at Tila shows that
spinning, weaving, and sewing were all practiced together within the
same domestic structures. Spinning was carried out everywhere in the
@ -336,10 +338,11 @@ small group of spindle whorls and loom weights without context
information, it was possible to locate most of the artefacts discovered
during excavations, mainly along trenches and test pits:
![Summary of textile tools per context, Meroe.](../static/images/yvanez/table2.jpg "Summary of textile tools per context, Meroe.")
**~~Table 2. Summary of textile tools per context, Meroe.~~**
Table 2. Summary of
The Meroe spindle whorls form a homogeneous group made of well-burnished
ceramic in conical or biconical shapes, with the upper surface almost
@ -552,7 +555,7 @@ Adams, Nettie K. "Sacred Textiles from an Ancient Nubian Temple." In
America Biennial Symposium*, pp. 259--68. Chicago: The Art Institute of
Chicago, 1996.
Adams, William Y., and Adams, Nettie K. *Qasr Ibrim: The Ballaña Phase*.
Adams, William Y., and Nettie K. Adams. *Qasr Ibrim: The Ballaña Phase*.
EES Excavation Memoir 104. London: The Egypt Exploration Society,
2013.
@ -620,14 +623,14 @@ Williams, pp. 545--561. Oxford: Oxford Academic,
2021. <https://doi.org/10.1093/oxfordhb/9780190496272.013.26>, accessed
3 Sept. 2024.
Harlow, Mary, and Nosch, Marie-Louise. "Weaving the
Harlow, Mary, and Marie-Louise Nosch. "Weaving the
Threads: Methodologies in Textile and Dress Research for the Greek and
Roman world -- the State of the Art and the Case for
Cross-Disciplinarity." In *Greek and Roman Textiles and Dress, Ancient
Textiles Series* 19, edited by Mary Harlow and Marie-Louise Nosch, pp.
1--33. Oxford: Oxbow books, 2014.
Kemp, Barry J., and Vogelsang-Eastwood, Gillian. *The Ancient Textile
Kemp, Barry J., and Gillian Vogelsang-Eastwood. *The Ancient Textile
Industry in Amarna*. EES Excavation Memoir 68. London: Burlington Press,
2001.
@ -635,7 +638,7 @@ Maillot, Marc. "The Archaeological Site of
Damboya in the Shendi Reach. First Season." *Sudan & Nubia* 24 (2020):
pp. 181--9.
Mann, Lilianne, and van den Bercken, Ben. "Shokan. Revival of a
Mann, Lilianne, and Ben van den Bercken. "Shokan. Revival of a
Forgotten Village." *Sudan & Nubia* 24 (2020): pp. 24--30.
Millet, Marie. "Mouweis, une ville de l'Empire de Méroé." *Bulletin de
@ -658,7 +661,7 @@ Rondot, Vincent. "El-Hassa : un temple à Amon dans l'île de Méroé au
1er siècle de notre ère." *Comptes Rendus de l'Académie des
Inscriptions et Belles-Lettres* 156/I (2012): pp. 167--82.
Shinnie, Peter L., and Anderson, Julie R. *The Capital of Kush II, Meroë
Shinnie, Peter L., and Julie R. Anderson. *The Capital of Kush II, Meroë
Excavations 1973-1984*. Meroitica 20. Wiesbaden: Harrassowitz Verlag,
2004.
@ -679,7 +682,7 @@ Thomas, Thelma K. *Textiles from Karanis, Egypt in the Kelsey Museum of
Archaeology: Artifacts of Everyday Life*. Ann Arbor: Kelsey Museum,
2001.
Török, Laszlo. *Meroe City, an Ancient African Capital, John Garstang\'s
Török, László. *Meroe City, an Ancient African Capital, John Garstang\'s
Excavations in the Sudan, vol. I-II*. EES Occasional Publications 12.
London: The Egypt Exploration Society, 1997.
@ -732,7 +735,7 @@ Stoffkreisläufe und antike Textilökonomie*, edited by Beate Wagner-Hasel
and Marie-Louise Nosch, pp. 457--75. Stuttgart: Franz Steiner Verlag,
2019.
Yvanez, Elsa, and Wozniak, Magdalena M. "Cotton in Ancient Sudan and
Yvanez, Elsa, and Magdalena M. Wozniak. "Cotton in Ancient Sudan and
Nubia: Archaeological Sources and Historical Implications." In *Cotton
in the Old World: Domestication, Cultivation, Use and Trade*, edited by
Charlène Bouchaud and Elsa Yvanez. Revue d'Ethnoécologie 15. Paris: