fix matix !publish!
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@ -589,12 +589,6 @@ pyramid Begrawiya North 1 of queen Amanitore.[^104]
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**~~Figure 6. Amanitore sitting on a throne with the nine bows underneath, south wall, pyramid Begrawiya North 1, line drawing (Chapman & Dunham. *Decorated Chapels of the Meroitic Pyramids at Meroë and Barkal*, Pl. 18B).~~**
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**~~Figure 6. Amanitore sitting on a throne with the nine bows underneath, south wall, pyramid Begrawiya North 1, line drawing (Chapman & Dunham. *Decorated Chapels of the Meroitic Pyramids at Meroë and Barkal*, Pl. 18B).~~**
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**~~Figure 7. Natakamani and Amanitore smiting enemies, pylon of the temple of Naqa, line drawing (Lepsius, *Denkmäler aus Aegypten und Aethiopien* 10, B1. 56).~~**
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Amanitore is depicted smiting enemies on the pylon of the Lion Temple in
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Amanitore is depicted smiting enemies on the pylon of the Lion Temple in
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Naga.[^105] There, she is paired with Natakamani, who is also depicted
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Naga.[^105] There, she is paired with Natakamani, who is also depicted
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smiting enemies (Figure 7). Natalia Pomerantseva interpreted this as
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smiting enemies (Figure 7). Natalia Pomerantseva interpreted this as
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@ -623,6 +617,13 @@ Amanishakheto and Amanitore also lived in exceptional times, during and
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after the conflict of Meroe with Rome. It is possible that in these
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after the conflict of Meroe with Rome. It is possible that in these
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times certain exceptional women rose to unparalleled positions.[^109]
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times certain exceptional women rose to unparalleled positions.[^109]
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**~~Figure 7. Natakamani and Amanitore smiting enemies, pylon of the temple of Naqa, line drawing (Lepsius, *Denkmäler aus Aegypten und Aethiopien* 10, B1. 56).~~**
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# Conclusion
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# Conclusion
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Gender as a frame of war has structured both Napatan and Meroitic texts,
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Gender as a frame of war has structured both Napatan and Meroitic texts,
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