new honegger and matic

content/article/honegger.md

@@ -14,7 +14,7 @@ article proposes to describe these Kerma archers, and then to look at
 the evolution of funerary rites that show in their own way how a social
 hierarchy emerges that will lead to the birth of a state, in this
 instance the kingdom of Kerma."
-keywords: []
+keywords: ["archers", "warriors", "Kerma", "kingdom", "social stratification"]
 ---
 
 # Introduction

content/article/urosmatic.md

@@ -231,7 +231,7 @@ So far, the battle reliefs of M250 were analyzed by several authors. It
 is Hinkel who published the temple and gave the most detailed
 description and analysis of the relief blocks to date.[^44] According to
 Török, the decoration of the façades had a "historically" formulated
-triumphal aspect.[^45]. Before the publication of the temple by Hinkel,
+triumphal aspect.[^45] Before the publication of the temple by Hinkel,
 Steffen Wenig assigned them to the reign of Aspelta because his stela
 was found on the site. Wenig related the reliefs to the ones from the
 B500 temple of Amun at Gebel Barkal, not knowing at that time that they
@@ -293,7 +293,7 @@ under Akinidad. On the contrary, they were its allies in war with Rome.
 
 Regarding the representations of women and children as prisoners of war,
 Török found parallels in New Kingdom Egyptian (ca. 1550-1070 BC)
-reliefs[^58], whereas Hinkel found parallels both in New Kingdom
+reliefs,[^58] whereas Hinkel found parallels both in New Kingdom
 Egyptian and Neo-Assyrian reliefs (ca. 911-609 BC).[^59] One must,
 however, stress that in the case of the New Kingdom Egyptian reliefs,
 the parallels are both thematic and iconographic, whereas in the case of
@@ -383,7 +383,7 @@ hieroglyphs on the southern part of the temple pylon, which have thus far
 not been identified with certainty.[^69] In the light of Strabo's
 Geography 17. I. 54, in which he writes that when told that they should
 go to Augustus, the Meroites answered they do not know who that
-was[^70], one has to consider that the Roman dominated world beyond the
+was,[^70] one has to consider that the Roman dominated world beyond the
 province of Egypt was unknown or insufficiently known to the Meroites.
 This explains the empty oval name rings on the northern part of the
 temple pylon. Except for the generic *Arome* referring to Rome[^71] and
@@ -447,7 +447,7 @@ same text when it states "You return having conquered Lower Egypt;
 making bulls into women" (*jw=k jy.tw* *ḥ3q.n=k T3-mḥw* *jr=k k3.w m
 ḥm.wt*).[^84] Bearing in mind that in the Instructions of Ankhsheshonqy
 (X, 20), an Egyptian text of the Ptolemaic period (305-30 BC), bulls are
-contrasted to the vulvas which should receive them[^85], we can argue
+contrasted to the vulvas which should receive them,[^85] we can argue
 that, in both cases, bulls stand for men, or at least masculinity, in
 both the human and animal world. It is interesting that on the Triumphal
 stela of Piye women from the palace of the Lower Egyptian king Nimlot 
@@ -542,13 +542,13 @@ depicted delivering harm to foreign women and children, at least in the
 New Kingdom. The king always defeats the supposedly stronger enemy.[^98]
 Although the inclusion of queen Nefertiti smiting female enemies
 alongside scenes of Akhenaten smiting male enemies probably indicates
-the elevation of her status during the period of his rule[^99],
+the elevation of her status during the period of his rule,[^99]
 Nefertiti is nevertheless not the dominant figure in such depictions;
 the dominant figure remains the smiting king because of the gender of
 the enemies he smites. Male enemies were considered more dangerous than
 female. When a female ruler like Hatshepsut (ca. 1479-1458 BC) of the
 18th Dynasty is depicted smiting or trampling male enemies, she
-herself is depicted as a king -a man- and her identity is indicated by
+herself is depicted as a king --a man-- and her identity is indicated by
 the accompanying text that lists her name and royal titles.[^100]
 
 ![Amanishakheto spearing enemies](../static/images/matic/fig4.jpg "Amanishakheto spearing enemies")
@@ -638,7 +638,7 @@ have been based on an Egyptian pattern. This, then, continued into the
 Meroitic period. In the second case, namely the texts dealing with
 military campaigns, how gender as a frame of war operates can be
 observed in the discursive feminization of enemies in Napatan texts.
-Just like in ancient Egyptian and Neo-Assyrian texts[^111], enemies are
+Just like in ancient Egyptian and Neo-Assyrian texts,[^111] enemies are
 discursively framed as women or effemininate. This is in fact a
 metaphor found in many cultures in which strength is associated with men
 and weakness is associated with women. Rather than just framing the
@@ -667,7 +667,7 @@ however both could also be found in burials without such associated
 weapons. Nevertheless, one should not exclude the possibility that
 Meroitic queens made military decisions, just like, for example, the
 17th Dynasty queen Ahmose or the 18th Dynasty queen Hatshepsut in
-Egypt[^113], though they probably did not fight in war. The depictions
+Egypt,[^113] though they probably did not fight in war. The depictions
 of Meroitic queens smiting enemies should be seen in the context of
 royal ideology. Unlike Egyptian queens, who are depicted as women
 smiting enemies only when these enemies are also women, both Meroitic

content/author/matthieuhonegger.md

@@ -4,4 +4,9 @@ title: Matthieu Honegger
 
 # Biography
 
-Bio.
+Matthieu Honegger is a professor of pre- and protohistoric archaeology at the University of Neuchâtel (Switzerland) and works on periods between the Mesolithic and the Bronze Age.
+He has directed four excavations in Switzerland, in the Alps and on lake dwellings, as well as six excavations in the Kerma region (Sudan) where he has been working since 1994.
+His research topics are material culture and society, funerary archaeology, spatial archaeology, neolithization, social stratification and valorization of the archaeological heritage.
+Between 2004 and 2019, Honegger was responsible for the museographic installation of the Kerma Museum. In 2014, he organized the Thirteenth International Conference
+for Nubian Studies in Neuchâtel and at the same time presented an exhibition entitled "The Origins of the Black Pharaohs: 10,000 Years of Archaeology in Nubia".
+