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@ -1115,6 +1115,10 @@ ca. 3085 BCE.[^212]
**~~Appendix 2: Burials with human remains and osteological case descriptions for individuals with evidence of healed or unhealed trauma related to interpersonal violence in Cemetery 7. Data from Elliot Smith and Wood Jones (1910).~~** **~~Appendix 2: Burials with human remains and osteological case descriptions for individuals with evidence of healed or unhealed trauma related to interpersonal violence in Cemetery 7. Data from Elliot Smith and Wood Jones (1910).~~**
![Burials with human remains in Cemetery 14. Osteological case descriptions for individuals with evidence of trauma related to interpersonal violence and absent or broken skulls. Data from Elliot Smith and Wood Jones (1910).](../static/images/hafsaas/Appendix3.jpg "Burials with human remains in Cemetery 14. Osteological case descriptions for individuals with evidence of trauma related to interpersonal violence and absent or broken skulls. Data from Elliot Smith and Wood Jones (1910).")
**~~Appendix 3: Burials with human remains in Cemetery 14. Osteological case descriptions for individuals with evidence of trauma related to interpersonal violence and absent or broken skulls. Data from Elliot Smith and Wood Jones (1910).~~**
# Acknowledgements # Acknowledgements

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@ -137,7 +137,7 @@ protests started in Atbara and other smaller cities. Before the protest
moved to the capital, the people united in these smaller cities to moved to the capital, the people united in these smaller cities to
demand radical political and social change. Referring to these events, demand radical political and social change. Referring to these events,
artist Abdul Rahman Al Nazeer released '[The Bread artist Abdul Rahman Al Nazeer released '[The Bread
Loaf](https://bit.ly/2SAtQhO)' (Figure 1), inspired by Michelangelo's Loaf](https://bit.ly/2SAtQhO)', inspired by Michelangelo's
painting 'The creation of Adam'.[^12] In the original, God stretches out painting 'The creation of Adam'.[^12] In the original, God stretches out
his hand towards Adam sitting in Eden. His hand has an outstretched his hand towards Adam sitting in Eden. His hand has an outstretched
finger to transfer the spark of creation to Adam. This image has finger to transfer the spark of creation to Adam. This image has
@ -1018,27 +1018,32 @@ constitution and a democratically elected government.
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@ -1050,23 +1055,23 @@ Brown, Marie Grace. *History Stands Alongside the Woman in the White
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@ -1077,73 +1082,66 @@ Dabanga, Radio. *Prosecution Denounces Call to Revive Sudan's Repealed
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@ -1151,8 +1149,8 @@ Oppressor*. https://sudantribune.com/spip.php?article67038.
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@ -1166,74 +1164,76 @@ Diab*.
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[^1]: Berridge, *Civil Uprising in Modern Sudan, pp. 13-34.* [^1]: Berridge, *Civil Uprising in Modern Sudan*, pp. 13-34.
[^2]: Deshayes, Etienne and Medani, *Reflection on the Sudanese [^2]: Deshayes, Etienne and Medani, *Reflection on the Sudanese
Revolutionary Dynamics*. Revolutionary Dynamics*.
[^3]: Botalito, *Sudan Revolution: An Exploration Causes and [^3]: Bolatito, *Sudan Revolution: An Exploration Causes and
Consequences for Power Struggle and Regime Change.* Consequences for Power Struggle and Regime Change.*
[^4]: In 1964, the so-called \'Southern Problem\' became the cause of [^4]: In 1964, the so-called \'Southern Problem\' became the cause of
@ -1259,7 +1259,7 @@ https://roape.net/2019/09/05/the-revolution-has-emerged-sudans-acute-contradicti
[^8]: Wilde Botta, *The Revolution Has Emerged: Sudan's Acute [^8]: Wilde Botta, *The Revolution Has Emerged: Sudan's Acute
Contradictions*. Contradictions*.
[^9]: Copnall, *A Poisonous Thorn in Our Hearts*: *Sudan and South [^9]: Copnall, *A Poisonous Thorn in Our Hearts: Sudan and South
Sudan\'s Bitter and Incomplete Divorce.* Sudan\'s Bitter and Incomplete Divorce.*
[^10]: https://www.instagram.com/p/BtBLM5cFNG-/ [^10]: https://www.instagram.com/p/BtBLM5cFNG-/
@ -1274,8 +1274,7 @@ https://roape.net/2019/09/05/the-revolution-has-emerged-sudans-acute-contradicti
[^12]: Elhassan, How Sudanese Art Is Fueling the Revolution. [^12]: Elhassan, How Sudanese Art Is Fueling the Revolution.
[^13]: Berridge, Civil Uprisings in Modern Sudan: The \'Khartoum [^13]: Berridge, *Civil Uprising in Modern Sudan*.
Springs\' of 1964 and 1985.
[^14]: Elhassan, Sudan's Revolution Isn\'t a Fluke, It\'s Tradition. [^14]: Elhassan, Sudan's Revolution Isn\'t a Fluke, It\'s Tradition.

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