fulcher2

content/article/fulcher.md

@@ -1,26 +1,8 @@
 ---
-title: "The use and experience of painting materials in ancient and modern
+title: "The use and experience of painting materials in ancient and modern Nubia"
-Nubia"
 authors: ["katefulcher.md"]
-abstract: Homes in Nubia are decorated by their inhabitants, using materials from
+abstract: Homes in Nubia are decorated by their inhabitants, using materials from the landscape around them. This has been the case for thousands of years. Taking the ancient town of Amara West (c. 1250 BC--800 BC) and the modern residents of its environs as a case study, the procurementand application of painting materials and its social implications are considered, using archaeological evidence and recently conducted interviews. The ancient evidence includes paint on walls, pigments, paint palettes, grindstones, and painted coffins, samples of which were scientifically analysed to determine the pigments and binders used. Twelve interviews were conducted via translator with modern residents living near to Amara West about their use of paint in their houses, including how they collected painting materials, when painting took place, and who was responsible. Several paints were re-created using tools and materials that were used by the ancient population in order to experience the process and consider it from a sensory perspective. Taking all of this evidence as inspiration, several fictional passages have been added to attempt to imagine ancient events relating to paint making and use.
-the landscape around them. This has been the case for thousands of
+keywords: ["Archaeology", "Sudan"]
-years. Taking the ancient town of Amara West (c. 1250 BC -- 800 BC) and
-the modern residents of its environs as a case study, the procurement
-and application of painting materials and its social implications are
-considered, using archaeological evidence and recently conducted
-interviews. The ancient evidence includes paint on walls, pigments,
-paint palettes, grindstones, and painted coffins, samples of which were
-scientifically analysed to determine the pigments and binders used.
-Twelve interviews were conducted via translator with modern residents
-living near to Amara West about their use of paint in their houses,
-including how they collected painting materials, when painting took
-place, and who was responsible. Several paints were re-created using
-tools and materials that were used by the ancient population in order to
-experience the process and consider it from a sensory perspective.
-Taking all of this evidence as inspiration, several fictional passages
-have been added to attempt to imagine ancient events relating to paint
-making and use.
-keywords:
 ---
 
 1\. Introduction
@@ -57,9 +39,7 @@ Island. The inhabitants of these towns and villages use both modern
 paint, purchased at the market, and traditional pigments, gathered from
 the landscape, to decorate their houses.
 
-![Map of the Nile Valley showing locations of places mentioned
+![Map of the Nile Valley showing locations of places mentioned in text.](../static/images/fulcher/fig 1.jpg "Map of the Nile Valley showing locations of places mentioned in text.")
-in text.](../static/images/fulcher/Figure 1.jpg "Map of the Nile Valley showing locations of places mentioned
-in text.")
 
 **~~Figure 1. Map of the Nile Valley showing locations of places mentioned
 in text.~~**
@@ -108,12 +88,9 @@ gum Arabic can be harvested, grow in the local area, and were also
 present in ancient times, as evidenced by plant remains from Amara
 West.[^14]
 
-![Fragment of painted wall plaster from house E13.7 at Amara
+![Fragment of painted wall plaster from house E13.7 at Amara West (F5049c).](../static/images/fulcher/fig 2.jpg "Fragment of painted wall plaster from house E13.7 at Amara West (F5049c).")
-West (F5049c).](../static/images/fulcher/Figure 2.jpg "Fragment of painted wall plaster from house E13.7 at Amara
-West (F5049c).")
 
-**~~Figure 2. Fragment of painted wall plaster from house E13.7 at Amara
+**~~Figure 2. Fragment of painted wall plaster from house E13.7 at Amara West (F5049c).~~**
-West (F5049c).~~**
 
 
 3\. Ethnoarchaeology
@@ -212,15 +189,9 @@ piece of leather with the hair still attached to paint the *gir* onto
 the walls, or a sheep's tail. One family poured *gir* over the walls
 from a teapot.
 
-![House of one of the respondents. Interior (left) painted in
+![House of one of the respondents. Interior (left) painted in red and yellow bombastic; exterior (right) mud plastered in a circular pattern and painted with yellow gir.](../static/images/fulcher/fig 3.jpg "House of one of the respondents. Interior (left) painted in red and yellow bombastic; exterior (right) mud plastered in a circular pattern and painted with yellow gir.")
-red and yellow bombastic; exterior (right) mud plastered in a circular
-pattern and painted with yellow gir.](../static/images/fulcher/Figure 3.jpg "House of one of the respondents. Interior (left) painted in
-red and yellow bombastic; exterior (right) mud plastered in a circular
-pattern and painted with yellow gir.")
 
-**~~Figure 3. House of one of the respondents. Interior (left) painted in
+**~~Figure 3. House of one of the respondents. Interior (left) painted in red and yellow bombastic; exterior (right) mud plastered in a circular pattern and painted with yellow gir.~~**
-red and yellow bombastic; exterior (right) mud plastered in a circular
-pattern and painted with yellow gir.~~**
 
 4\. Re-construction of ancient painting materials
 
@@ -271,7 +242,7 @@ have mainly used their hands, or small metal or stone tools. A piece of
 flat stone picked up in the desert would make an effective shovel and
 obviate the need to carry a tool from the town and back.
 
-![Sofiha can containing gir.](../static/images/fulcher/Figure 4.jpg "Sofiha can containing gir.")
+![Sofiha can containing gir.](../static/images/fulcher/fig 4.jpg "Sofiha can containing gir.")
 
 **~~Figure 4. Sofiha can containing gir.~~**
 
@@ -314,12 +285,9 @@ removal of a tail, or acquiring a piece of skin with wool attached after
 an animal had been slaughtered. Soft tissue animal products would be
 very unlikely to survive in the archaeological record.
 
-![Ancient Egyptian paintbrush dating to the New Kingdom. The
+![Ancient Egyptian paintbrush dating to the New Kingdom. The Metropolitan Museum of Art, New York, Gift of J. Pierpont Morgan, 1917.](../static/images/fulcher/fig 5.jpg "Ancient Egyptian paintbrush dating to the New Kingdom. The Metropolitan Museum of Art, New York, Gift of J. Pierpont Morgan, 1917.")
-Metropolitan Museum of Art, New York, Gift of J. Pierpont Morgan, 1917.](../static/images/fulcher/Figure 5.jpg "Ancient Egyptian paintbrush dating to the New Kingdom. The
-Metropolitan Museum of Art, New York, Gift of J. Pierpont Morgan, 1917.")
 
-**~~Figure 5. Ancient Egyptian paintbrush dating to the New Kingdom. The
+**~~Figure 5. Ancient Egyptian paintbrush dating to the New Kingdom. The Metropolitan Museum of Art, New York, Gift of J. Pierpont Morgan, 1917.~~**
-Metropolitan Museum of Art, New York, Gift of J. Pierpont Morgan, 1917.~~**
 
 
 To create paint, pigments were ground on a grinding stone similar in
@@ -342,15 +310,9 @@ curl around it, and how the weight feels when it is brought down. The
 arm muscle quickly begins to ache, and small injuries to the grinding
 hand would have been hard to avoid.
 
-![Grinding red ochre on a small grindstone. Left - Piece of red
+![Grinding red ochre on a small grindstone. Left - Piece of red ochre to be ground. Right -- after grinding, pigment has spilled onto the floor and there is no working space left on the grindstone.](../static/images/fulcher/fig 6.jpg "Grinding red ochre on a small grindstone. Left - Piece of red ochre to be ground. Right -- after grinding, pigment has spilled onto the floor and there is no working space left on the grindstone.")
-ochre to be ground. Right -- after grinding, pigment has spilled onto
-the floor and there is no working space left on the grindstone.](../static/images/fulcher/Figure 6.jpg "Grinding red ochre on a small grindstone. Left - Piece of red
-ochre to be ground. Right -- after grinding, pigment has spilled onto
-the floor and there is no working space left on the grindstone.")
 
-**~~Figure6. Grinding red ochre on a small grindstone. Left - Piece of red
+**~~Figure6. Grinding red ochre on a small grindstone. Left - Piece of red ochre to be ground. Right -- after grinding, pigment has spilled onto the floor and there is no working space left on the grindstone.~~**
-ochre to be ground. Right -- after grinding, pigment has spilled onto
-the floor and there is no working space left on the grindstone.~~**
 
 
 Modern interviewees said that girls learnt to plaster and paint from
@@ -556,238 +518,233 @@ Archaeological Project, Leverhulme Trust, and British Academy.
 
 References
 
-[Binder]{.smallcaps}, Michaela. "The New Kingdom Tombs at Amara West:
+Binder, Michaela. "The New Kingdom Tombs at Amara West:
 Funerary Perspectives on Nubian -- Egyptian Interactions." In *Nubia in
 the New Kingdom: Lived Experience, Pharaonic Control and Indigenous
 Traditions. British Museum Publications on Egypt and Sudan 3*, edited by
-Neal [Spencer]{.smallcaps}, Anna [Stevens]{.smallcaps}, and Michaela
+Neal Spencer, Anna Stevens, and Michaela Binder, pp. 591--613. Leuven: Peeters, 2017.
-[Binder]{.smallcaps}, 2017.. Leuven, Peeters: pp. 591--613.
 
-[Budka]{.smallcaps}, Julia. "Life in the New Kingdom Town of Sai Island:
+Budka, Julia. "Life in the New Kingdom Town of Sai Island:
 Some New Perspectives." In *Nubia in the New Kingdom: Lived Experience,
 Pharaonic Control and Indigenous Traditions. British Museum Publications
-on Egypt and Sudan 3*, edited by Neal [Spencer]{.smallcaps}, Anna
+on Egypt and Sudan 3*, edited by Neal Spencer, Anna Stevens, and Michaela Binder, pp. 429--48. Leuven:
-[Stevens]{.smallcaps}, and Michaela [Binder]{.smallcaps}, 2017. Leuven,
+Peeters, 2017.
-Peeters: pp. 429--48.
 
-[Cartwright]{.smallcaps}, Caroline R., and Philippa [Ryan]{.smallcaps}.
+Cartwright, Caroline R., and Philippa Ryan.
 "Archaeobotanical Research at Amara West in New Kingdom Nubia." In
 *Nubia in the New Kingdom: Lived Experience, Pharaonic Control and
 Indigenous Traditions. British Museum Publications on Egypt and Sudan
-3*, edited by Neal [Spencer]{.smallcaps}, Anna [Stevens]{.smallcaps},
+3*, edited by Neal Spencer, Anna Stevens,
-and Michaela [Binder]{.smallcaps}, 2017. Leuven, Peeters: pp. 1--16.
+and Michaela Binder, pp. 1--16. Leuven: Peeters, 2017.
 
-[Çamurcuoğlu]{.smallcaps}, Duygu Seçil. *The Wall Paintings of
+Çamurcuoğlu, Duygu Seçil. *The Wall Paintings of
 Çatalhöyük (Turkey): Materials, Technologies and Artists*. PhD thesis.
 University College London, 2015.
 
-[Dalton]{.smallcaps}, Matthew. "Reconstructing Lived Experiences of
+Dalton, Matthew. "Reconstructing Lived Experiences of
 Domestic Space at Amara West: Some Preliminary Interpretations of
 Ancient Floor Deposits Using Ethnoarchaeological and Micromorphological
 Analyses." In *Nubia in the New Kingdom: Lived Experience, Pharaonic
 Control and Indigenous Traditions. British Museum Publications on Egypt
-and Sudan 3*, edited by Neal [Spencer]{.smallcaps}, Anna
+and Sudan 3*, edited by Neal Spencer, Anna
-[Stevens]{.smallcaps}, and Michaela [Binder]{.smallcaps},2017. Leuven,
+Stevens, and Michaela Binder, pp. 357--88. Leuven: Peeters, 2017.
-Peeters: pp. 357--88.
 
-[Fulcher]{.smallcaps}, Kate. *Painting Amara West: The Technology and
+Fulcher, Kate. *Painting Amara West: The Technology and
 Experience of Colour in New Kingdom Nubia. British Museum Publications
-on Egypt and Sudan 13*. Leuven, Peeters, 2022.
+on Egypt and Sudan 13*. Leuven: Peeters, 2022.
 
-[Fulcher]{.smallcaps}, Kate and Julia [Budka]{.smallcaps}. "Pigments,
+Fulcher, Kate and Julia Budka. "Pigments,
 incense, and bitumen from the New Kingdom town and cemetery on Sai
-Island in Nubia." Journal of Archaeological Science: Reports 33 (2020):
+Island in Nubia." *Journal of Archaeological Science: Reports* 33 (2020):
 102550. https://doi.org/10.1016/j.jasrep.2020.102550.
 
-[Fulcher]{.smallcaps}, Kate, Ruth [Siddall]{.smallcaps}, Trevor F
+Fulcher, Kate, Ruth Siddall, Trevor F. Emmett, and Neal Spencer. "Multi-Scale Characterization of
-[Emmett]{.smallcaps}, and Neal Spencer. "Multi-Scale Characterization of
 Unusual Green and Blue Pigments from the Pharaonic Town of Amara West,
 Nubia." *Heritage* 4 (2021): pp. 2563--79. https://doi.org/10.3390/
 heritage4030145.
 
-[Fulcher]{.smallcaps}, Kate, Rebecca [Stacey]{.smallcaps}, and Neal
+Fulcher, Kate, Rebecca Stacey, and Neal Spencer. "Bitumen from the Dead Sea in Early Iron Age
-[Spencer]{.smallcaps}. "Bitumen from the Dead Sea in Early Iron Age
 Nubia." *Nature Scientific Reports* 10, no. 8309 (2020).
 <https://doi.org/https://doi.org/10.1038/s41598-020-64209-8>.
 
-[Ingold]{.smallcaps}, Tim. \"The Temporality of the Landscape\", *World
+Ingold, Tim. \"The Temporality of the Landscape\", *World
-Archaeology* 25(2) (1993): pp. 152-174.
+Archaeology* 25(2) (1993): pp. 152--74.
 
 Ingold, Tim. "Taking taskscape to task" In *Forms of Dwelling 20 Years
-of Taskscapes in Archaeology* edited by Ulla [Rajala]{.smallcaps} and
+of Taskscapes in Archaeology* edited by Ulla Rajala and
-Philip [Mills]{.smallcaps}, 2017. Oxford, Oxbow: pp. 16-27.
+Philip Mills, pp. 16--27. Oxford: Oxbow, 2017.
 
-[Joyce]{.smallcaps}, Rosemary A. "Introducing the First Voice." In *The
+Joyce, Rosemary A. "Introducing the First Voice." In *The
 Languages of Archaeology: Dialogue, Narrative, and Writing*, edited by
-Rosemary A. [Joyce]{.smallcaps}, 2002.. Oxford; Malden, Mass.,
+Rosemary A. Joyce, pp. 4--17. Oxford: Blackwell, 2002.
-Blackwell: pp. 4--17.
 
-[Kemp]{.smallcaps}, Barry J., and Anna [Stevens]{.smallcaps}. *Busy
+Kemp, Barry J., and Anna Stevens. *Busy
 Lives at Amarna: Excavations in the Main City (Grid 12 and the House of
 Ranefer, N49.18). Volume I: The Excavations, Architecture and
 Environmental Remains. EES Excavation Memoir 90*. London: Egypt
 Exploration Society and Amarna Trust, 2010.
 
-[Lacovara]{.smallcaps}, Peter, and [Winkels]{.smallcaps}, Alexandria.
+Lacovara, Peter, and Winkels, Alexandria.
-"Malqata---The Painted Palace." In Tracing Technoscapes: The Production
+"Malqata---The Painted Palace." In *Tracing Technoscapes: The Production
-of Bronze Age Wall Paintings in the Eastern Mediterranean, edited by
+of Bronze Age Wall Paintings in the Eastern Mediterranean*, edited by
-Johannes [Becker]{.smallcaps}, Johannes [Jungfleisch]{.smallcaps} and
+Johannes Becker, Johannes Jungfleisch and
-Constance [von Rüden]{.smallcaps}, 2018. Leiden,Sidestone: pp. 149-172.
+Constance von Rüden, pp. 149--72. Leiden: Sidestone, 2018.
 
 Leinaweaver, Jessaca B. "Raising the roof in the transnational Andes:
 building houses, forging kinship." *Journal of the Royal Anthropological
-Institute* 15/4 (2009): pp. 777-796.[Majewski]{.smallcaps}, Teresita.
+Institute* 15/4 (2009): pp. 777--96.
-"We Are All Storytellers: Comments on Storytelling, Science, and
+
+Majewski, Teresita. "We Are All Storytellers: Comments on Storytelling, Science, and
 Historical Archaeology." *Society for Historical Archaeology* 34, no. 2
 (2000): pp. 17--19. <https://doi.org/10.1007/BF03374309>.
 
-[Mickel]{.smallcaps}, Allison Jane. *Archaeologists as Authors and the
+Mickel, Allison Jane. *Archaeologists as Authors and the
 Stories of Sites: In Defense of Fiction in Archaeological Site
 Reporting*. BA thesis, Anthropology. William and Mary, 2011.
 
-[Pagès-Camagna]{.smallcaps}, Sandrine, and Dietrich [Raue]{.smallcaps}.
+Pagès-Camagna, Sandrine, and Dietrich Raue.
 "Coloured Materials Used in Elephantine: Evolution and Continuity from
 the Old Kingdom to the Roman Period." *Journal of Archaeological
-Science: Reports* 7 (2016): pp. 662--67.
+Science: Reports* 7 (2016): pp. 662--7.
 https://doi.org/10.1016/j.jasrep.2016.02.002.
 
-[Pluciennik]{.smallcaps}, Mark. "Archaeological Narratives and Other
+Pluciennik, Mark. "Archaeological Narratives and Other
 Ways of Telling." *Current Anthropology* 40, no. 5 (1999): pp. 653--78.
 <https://doi.org/10.1086/300085>.
 
-[Siddell]{.smallcaps}, Ruth. "Appendix 6: Analysis of Pigments from the
+Siddell, Ruth. "Appendix 6: Analysis of Pigments from the
 Gurob Ship-Cart Model." In *The Gurob Ship-Cart Model and Its
-Mediterranean Context*, edited by Shelley Wachsmann. College Station:
+Mediterranean Context*, edited by Shelley Wachsmann, pp. 243--83. College Station:
-Texas A&M University Press, 2013: pp. 243-283.
+Texas A&M University Press, 2013.
 
-[Spataro]{.smallcaps}, Michela, Marie [Millet]{.smallcaps}, and Neal
+Spataro, Michela, Marie Millet, and Neal Spencer. "The New Kingdom Settlement of Amara West (Nubia,
-[Spencer]{.smallcaps}. "The New Kingdom Settlement of Amara West (Nubia,
 Sudan): Mineralogical and Chemical Investigation of the Ceramics."
 *Archaeological and Anthropological Sciences* 7, no. 4 (2015): pp.
 399--421. https://doi.org/10.1007/s12520-014-0199-y.
 
-[Spencer]{.smallcaps}, N. "Nubian Architecture in an Egyptian Town?
+Spencer, Neal. "Nubian Architecture in an Egyptian Town?
 Building E12.11 at Amara West." *Sudan & Nubia* 14 (2010): pp. 15--24.
 
-[Spencer]{.smallcaps}, Neal. "Building on New Ground: The Foundation of
+Spencer, Neal. "Building on New Ground: The Foundation of
 a Colonial Town at Amara West." In *Nubia in the New Kingdom: Lived
 Experience, Pharaonic Control and Indigenous Traditions. British Museum
 Publications on Egypt and Sudan 3*, edited by Neal Spencer, Anna
-Stevens, and Michaela Binder, pp, 323--55. Leuven: Peeters, 2017.
+Stevens, and Michaela Binder, pp. 323--55. Leuven: Peeters, 2017.
 
-[Spencer]{.smallcaps}, Patricia. *Amara West I: The Architectural
+Spencer, Patricia. *Amara West I: The Architectural
 Report. EES Excavation Memoir 63*. London: Egypt Exploration Society,
 1997.
 
-[Stevens]{.smallcaps}, A., and A. [Garnett]{.smallcaps}. "Surveying the
+Stevens, Anna, and Anna Garnett. "Surveying the
 Pharaonic Desert Hinterland of Amara West." In *Nubia in the New
 Kingdom: Lived Experience, Pharaonic Control and Indigenous Traditions.
-British Museum Publications on Egypt and Sudan 3*, edited by N. Spencer,
+British Museum Publications on Egypt and Sudan 3*, edited by Neal Spencer,
-A. Stevens, and M. Binder, pp. 287--306. Leuven: Peeters, 2017.
+Anna Stevens, and Michaela Binder, pp. 287--306. Leuven: Peeters, 2017.
 
-[Tringham]{.smallcaps}, Ruth. "Households with Faces: The Challenge of
+Tringham, Ruth. "Households with Faces: The Challenge of
 Gender in Prehistoric Architectural Remains." In *Engendering
 Archaeology: Women and Prehistory*, edited by Joan M. Gero and Margaret
 W. Conkey, pp. 93--131. Oxford: Blackwell, 1991.
 
-[Wenzel]{.smallcaps}, M. *House Decoration in Nubia*. London: Duckworth,
+Wenzel, Marian. *House Decoration in Nubia*. London: Duckworth,
 1972.
 
+
 **Images available here:**
 <https://1drv.ms/u/s!AnQUQ06LWl5ygpFpxGL_Y3uMI9k7fQ?e=BtO2CH>
 
+
 [^1]: Spencer, "Building on New Ground: The Foundation of a Colonial
     Town at Amara West."
 
-[^2]: [Spencer]{.smallcaps}, *Amara West I: The Architectural Report.
+[^2]: Spencer, *Amara West I: The Architectural Report.
     EES Excavation Memoir 63*.
 
-[^3]: [Binder]{.smallcaps}, "The New Kingdom Tombs at Amara West:
+[^3]: Binder, "The New Kingdom Tombs at Amara West:
     Funerary Perspectives on Nubian -- Egyptian Interactions."
 
-[^4]: [Spataro]{.smallcaps}, [Millet]{.smallcaps}, and
+[^4]: Spataro, Millet, and Spencer, "The New Kingdom Settlement of Amara West
-    [Spencer]{.smallcaps}, "The New Kingdom Settlement of Amara West
     (Nubia, Sudan): Mineralogical and Chemical Investigation of the
     Ceramics."
 
-[^5]: [Spencer]{.smallcaps}, "Nubian Architecture in an Egyptian Town?
+[^5]: Spencer, "Nubian Architecture in an Egyptian Town?
     Building E12.11 at Amara West."
 
-[^6]: [Fulcher]{.smallcaps}, *Painting Amara West: The Technology and
+[^6]: Fulcher, *Painting Amara West: The Technology and
     Experience of Colour in New Kingdom Nubia. British Museum
-    Publications on Egypt and Sudan 13*; [Fulcher]{.smallcaps} et al.,
+    Publications on Egypt and Sudan 13*; Fulcher et al.,
     "Multi-Scale Characterization of Unusual Green and Blue Pigments
     from the Pharaonic Town of Amara West, Nubia";
-    [Fulcher]{.smallcaps}, [Stacey]{.smallcaps}, and
+    Fulcher, Stacey, and
-    [Spencer]{.smallcaps}, "Bitumen from the Dead Sea in Early Iron Age
+    Spencer, "Bitumen from the Dead Sea in Early Iron Age
     Nubia."
 
-[^7]: [Fulcher]{.smallcaps} et al., "Multi-Scale Characterization of
+[^7]: Fulcher et al., "Multi-Scale Characterization of
     Unusual Green and Blue Pigments from the Pharaonic Town of Amara
     West, Nubia."
 
-[^8]: [Fulcher]{.smallcaps}, *Painting Amara West: The Technology and
+[^8]: Fulcher, *Painting Amara West: The Technology and
     Experience of Colour in New Kingdom Nubia. British Museum
     Publications on Egypt and Sudan 13*, p. 43.
 
-[^9]: [Fulcher]{.smallcaps}, [Stacey]{.smallcaps}, and
+[^9]: Fulcher, Stacey, and
-    [Spencer]{.smallcaps}, "Bitumen from the Dead Sea in Early Iron Age
+    Spencer, "Bitumen from the Dead Sea in Early Iron Age
     Nubia."
 
-[^10]: [Fulcher]{.smallcaps} et al., "Multi-Scale Characterization of
+[^10]: Fulcher et al., "Multi-Scale Characterization of
     Unusual Green and Blue Pigments from the Pharaonic Town of Amara
     West, Nubia."
 
-[^11]: [Fulcher]{.smallcaps} and [Budka]{.smallcaps}, "Pigments,
+[^11]: Fulcher and Budka, "Pigments,
     incense, and bitumen from Sai."
 
-[^12]: [Siddell]{.smallcaps}, "Appendix 6: Analysis of Pigments from the
+[^12]: Siddell, "Appendix 6: Analysis of Pigments from the
     Gurob Ship-Cart Model**".**
 
-[^13]: [Lacovara]{.smallcaps} and [Winkels]{.smallcaps}, "Malqata: The
+[^13]: Lacovara and Winkels, "Malqata: The
     painted palace".
 
-[^14]: [Cartwright]{.smallcaps} and [Ryan]{.smallcaps},
+[^14]: Cartwright and Ryan,
     "Archaeobotanical Research at Amara West in New Kingdom Nubia."
 
-[^15]: [Budka]{.smallcaps}, "Life in the New Kingdom Town of Sai Island:
+[^15]: Budka, "Life in the New Kingdom Town of Sai Island:
     Some New Perspectives."
 
-[^16]: [Dalton]{.smallcaps}, "Reconstructing Lived Experiences of
+[^16]: Dalton, "Reconstructing Lived Experiences of
     Domestic Space at Amara West: Some Preliminary Interpretations of
     Ancient Floor Deposits Using Ethnoarchaeological and
-    Micromorphological Analyses"; [Wenzel]{.smallcaps}, *House
+    Micromorphological Analyses"; Wenzel, *House
     Decoration in Nubia*.
 
-[^17]: [Binder]{.smallcaps}, "The New Kingdom Tombs at Amara West:
+[^17]: Binder, "The New Kingdom Tombs at Amara West:
     Funerary Perspectives on Nubian -- Egyptian Interactions," p. 604.
 
-[^18]: [Stevens]{.smallcaps} and [Garnett]{.smallcaps}, "Surveying the
+[^18]: Stevens and Garnett, "Surveying the
     Pharaonic Desert Hinterland of Amara West."
 
 [^19]: Ibid.
 
-[^20]: [Pagès]{.smallcaps}-[Camagna]{.smallcaps} and [Raue]{.smallcaps},
+[^20]: Pagès-Camagna and Raue,
     "Coloured Materials Used in Elephantine: Evolution and Continuity
-    from the Old Kingdom to the Roman Period"; [Kemp]{.smallcaps} and
+    from the Old Kingdom to the Roman Period"; Kemp and
-    [Stevens]{.smallcaps}, *Busy Lives at Amarna: Excavations in the
+    Stevens, *Busy Lives at Amarna: Excavations in the
     Main City (Grid 12 and the House of Ranefer, N49.18). Volume I.*.
 
-[^21]: [Çamurcuoğlu]{.smallcaps}, *The Wall Paintings of Çatalhöyük
+[^21]: Çamurcuoğlu, *The Wall Paintings of Çatalhöyük
     (Turkey)*, pp. 240-246.
 
-[^22]: [Leinaweaver]{.smallcaps}, "Raising the roof in the transnational
+[^22]: Leinaweaver, "Raising the roof in the transnational
     Andes: building houses, forging kinship."
 
-[^23]: [Ingold]{.smallcaps}, "Taking taskscape to task" pp. 26;
+[^23]: Ingold, "Taking taskscape to task" pp. 26;
-    [Ingold]{.smallcaps}, \"The Temporality of the Landscape.\"
+    Ingold, \"The Temporality of the Landscape.\"
 
-[^24]: [Joyce]{.smallcaps}, "Introducing the First Voice";
+[^24]: Joyce, "Introducing the First Voice";
-    [Majewski]{.smallcaps}, "We Are All Storytellers: Comments on
+    Majewski, "We Are All Storytellers: Comments on
     Storytelling, Science, and Historical Archaeology";
-    [Pluciennik]{.smallcaps}, "Archaeological Narratives and Other Ways
+    Pluciennik, "Archaeological Narratives and Other Ways
     of Telling."
 
-[^25]: [Mickel]{.smallcaps}, "Archaeologists as Authors and the Stories
+[^25]: Mickel, "Archaeologists as Authors and the Stories
-    of Sites"; [Tringham]{.smallcaps}, "Households with Faces: The
+    of Sites"; Tringham, "Households with Faces: The
     Challenge of Gender in Prehistoric Architectural Remains."