diff --git a/content/syllabus/fifthsyllabustest.md b/content/syllabus/fifthsyllabustest.md
index 0b247d1..d4f0587 100644
--- a/content/syllabus/fifthsyllabustest.md
+++ b/content/syllabus/fifthsyllabustest.md
@@ -15,6 +15,9 @@ title: Fifth Syllabus (Test)
*A sexy reading of Dziga Vertov’s **Man With A Movie Camera** in which the author explores the parallels between the camera eye of the film and the male sex organ.*
+
+[Mikhail Kaufman On Train], still from *Man with a Movie Camera*.
+
*Author’s note: I have chosen to insert youtube clips throughout my analysis—this is, after all, an online journal. **Man With A Movie Camera** has appeared with several different musical scores in recent decades. I have chosen the Cinematic Orchestra version. The reader/viewer should feel free to mute the accompaniment if it seems distracting or undesirable—sound has no bearing on the analysis presented here.*
@@ -143,4 +146,4 @@ Williams, Linda. *Hard Core: Power, Pleasure, and the “Frenzy of the Visible
[Edition 14]: https://www.synoptique.ca/edition-14
[Synoptique]: https://www.synoptique.ca/
[North Country Cinema]: http://www.northcountrycinema.com
-[Mikhail Kaufman On Train]: "https://commons.wikimedia.org/wiki/File:Mikhail_kaufman_on_train.jpg#/media/File:Mikhail_kaufman_on_train.jpg"
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+[Mikhail Kaufman On Train]: https://commons.wikimedia.org/wiki/File:Mikhail_kaufman_on_train.jpg#/media/File:Mikhail_kaufman_on_train.jpg
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