diff --git a/content/syllabus/fifthsyllabustest.md b/content/syllabus/fifthsyllabustest.md
index 743217e..c57f083 100644
--- a/content/syllabus/fifthsyllabustest.md
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@@ -70,6 +70,23 @@ This section covers roughly minutes 60-68 of the complete film:
 > 
 > *[Man With a Movie Camera, Part 7](https://www.youtube.com/watch?v=2sON2MxgFnE) (~60m 00 to 68m 00).*
 
+
+<br>
+
+***
+
+<br>
+
+Alexander Carson is a narrative artist, filmmaker, and occasional scholar. Some of his work can be seen at [North Country Cinema](http://www.northcountrycinema.com).
+
+<br>
+
+***
+
+<br>
+
+*Edited by Lindsey Campbell*
+
 <br>
 
 ***
@@ -86,10 +103,22 @@ Tsivian, Yuri. *Lines of Resistance: Dziga Vertov and the Twenties.* Germona: Le
 
 Williams, Linda. *Hard Core: Power, Pleasure, and the “Frenzy of the Visible”.* Berkeley: University of California Press, 1989.
 
+<br>
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+***
+
+<br>
+
 # Filmography
 
 *Man With A Movie Camera* (Dziga Vertov, 1929)
 
+<br>
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+***
+
+<br>
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 # Footnotes
 
 [^1]: Tsivian, Yuri. *Lines of Resistance* (p.5-14). In his introduction, Tsivian provides a concise account of Vertov’s ideologies and prinicipal grievances, including his feuds with popular Marxist thinkers and publishers, as well as celebrated Soviet filmmaker Sergei Eisenstein.
@@ -108,22 +137,6 @@ Williams, Linda. *Hard Core: Power, Pleasure, and the “Frenzy of the Visible
 
 [^8]: This irony was not missed by Soviet film critics at the time. See: Tsivian, Yuri. *Lines of Resistance*. (p.321-346)
 
-<br>
-
-***
-
-<br>
-
-Alexander Carson is a narrative artist, filmmaker, and occasional scholar. Some of his work can be seen at [North Country Cinema](http://www.northcountrycinema.com).
-
-<br>
-
-***
-
-<br>
-
-*Edited by Lindsey Campbell*
-
 [Man With A Movie Camera, Part 2]: https://www.youtube.com/watch?v=AeKKeiXTBos
 [Man With a Movie Camera, Part 3]: https://www.youtube.com/watch?v=u2RKlDFmui4
 [Man With a Movie Camera, Part 7]: https://www.youtube.com/watch?v=L8HiRQjEhF4