diff --git a/content/shard/latentimage.md b/content/shard/latentimage.md
index 770aa87..1c6cfc9 100644
--- a/content/shard/latentimage.md
+++ b/content/shard/latentimage.md
@@ -1,9 +1,26 @@
 +++
-title = "Latent image"
+title = "Latent futures"
 glassblowers = ["cristobalsciutto.md"]
 +++
 
 The gap between the tools (the excavator) and the crises (the Evergreen) is an
 imaginary. The construction of an imaginary, a re-writing of history, allows
-one to step into the future. The imaginary is latent inside a library. A
-library is not a place. It is simply curated information.
+one to step into the future.
+
+The new imaginary does not necessarily arise from acts of imaginations. Often
+it is already present in the raw materials we have at hand. It is *latent*
+inside the library. There is a process of refactoring, often beginning in the
+linguistic domain, but manifesting in an ontological shift.
+
+We can conceptualize this shift with reference to the bi-stable images from
+perceptual psychology. The balerina who rotates both clockwise and
+counterclockwise. The Necker cube whose orientation is unclear. The dress that
+is both black and white. The material content does not change, but the
+perceived gestalt changes entirely.
+
+How to provoke that shift in perception, that re-organization of the archive?
+This is the role of art, as Alva Noe argues.
+
+https://cristobal.space/writing/ideas
+https://library.memoryoftheworld.org/#/book/349a2122-ed65-4690-bd15-41c87c256108
+https://files.theseedsofscience.org/2022/Notes_on_the_Inexact_Sciences.pdf