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Marcell Mars 2024-05-20 00:01:04 +02:00
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@ -26,7 +26,7 @@ And for the purpose of the reflection: Out of Language?
I heard on the radio today (May 3, 2024) [Julia Kristeva](https://www.radiofrance.fr/franceculture/podcasts/avec-philosophie/qu-est-ce-qu-une-epoque-theorique-1205000):
> I think the Western world and its sovereignty should be preserved by preserving the book.” By the book, Kristeva means the analytical apparatus of the theory inherited from the twentieth century, the French Tel Quel avant-garde, which, above all, enjoyed Lettres (jouissance to read and write, write and read, jouissance of the theory or so-called French Theory, very much in the language or exactly where Godard didnt find reality). Kristeva is complaining about the Global South, the colonial forces of the Global South that encapsulate Tel Quel avant-garde within the concept, which Dick Higgins designed as masculine: “avant-garde… as advance troops coming before the main body”., white and homogeneous (![](bib:fb3043f9-791a-4069-9c07-4e5f05162983), p. 10). Kristeva remained in the 20th century. As much as the jouissance of Lettres is cathartic, it always shelters masculinity, the phantasm of purity and candidness. (see: https://antigones.gr/glossary/catharsis/) Naivety and purity go hand in hand with not knowing the end, sensuality, tension, irony, and Tyche. (see: ![](shard:artformula.md))
> I think the Western world and its sovereignty should be preserved by preserving the book.” By the book, Kristeva means the analytical apparatus of the theory inherited from the twentieth century, the French Tel Quel avant-garde, which, above all, enjoyed Lettres (jouissance to read and write, write and read, jouissance of the theory or so-called French Theory, very much in the language or exactly where Godard didnt find reality). Kristeva is complaining about the Global South, the colonial forces of the Global South that encapsulate Tel Quel avant-garde within the concept, which Dick Higgins designed as masculine: “avant-garde… as advance troops coming before the main body”., white and homogeneous (![](bib:fb3043f9-791a-4069-9c07-4e5f05162983), p. 10). Kristeva remained in the 20th century. As much as the jouissance of Lettres is cathartic, it always shelters masculinity, the phantasm of purity and candidness. (see: [Catharsis](https://antigones.gr/glossary/catharsis/) Naivety and purity go hand in hand with not knowing the end, sensuality, tension, irony, and Tyche. (see: ![](shard:artformula.md))
But within the Motion Picture?