- activation : temporal / social / site-based - eg. via exhibitions, KG did it : printing out the internet, retyping a library, top tens show in athens /// or via workshops such as this one
- selection (eg. only top tens), curation, sampling, playlists, screenshot per day, metadata archive / sitemap
- forking : making a mirror and continue adding stuff
- approaches from contemporary art conservation - view ubu as an artwork from an individual artist with its performative gestures etc... eg. if this is acquired by a museum (different to when it is acquired by an archive such as archive.org or LOC via web snapshots etc..) ... eg. understanding ubu as a complex artwork consisting not only of digital files but also of physical manifestations in the form of exhibitions and as a long-term performance .... artist interview, identifying artist intent, identifying components and their relations and dependencies