From 48950c6e38ac9cbc9e7da31b392a126ca4dda72e Mon Sep 17 00:00:00 2001 From: Tomislav Medak Date: Mon, 6 Nov 2023 07:44:50 -0800 Subject: [PATCH] Update 'content/mirror/eveythingistemporary.md' --- content/mirror/eveythingistemporary.md | 4 ++++ 1 file changed, 4 insertions(+) diff --git a/content/mirror/eveythingistemporary.md b/content/mirror/eveythingistemporary.md index d745f91..c0d07ab 100644 --- a/content/mirror/eveythingistemporary.md +++ b/content/mirror/eveythingistemporary.md @@ -4,10 +4,14 @@ glassblowers = ["custodiansonline.md", "marcellmars.md", "tomislavmedak.md", "mc has_reflections = ["avantgarde.md", "shadowlibraries.md", "technologicalresilience.md", "autonomouscustodianship.md"] +++ + + Marcel Duchamp, one of the founders of avant-garde, in 1935 at the Councours Lépine, an innovation fair, exhibited a series of objects under titled *Rotoreliefs* - twelve cardboard litography discs with spiral motifs in the lithography technique. When rotating *Rotoreliefs* would engender optical illusions. Although he received an honorable mention in the category of industrial art for his exhibit, the product itself turned out to be unsuccessful: he sold two discs to friends and one to a visitor. Duchamp initially produced 500 sets of *Rotoreliefs*, of which 300 disappeared in the Second World War, while rare examples were preserved for posterity. At Interliber, a book fair, we are exhibiting the electronic publication *Ubu@50*. UbuWeb (ubu.com) is the largest online archive of avant-garde art. The electronic publication *Ubu@50* contains texts about UbuWeb, a digital library of references used in the texts and a complete archive of UbuWeb. +![](/static/images/everythingistemporary.jpg) + UbuWeb celebrated its 25th birthday two years ago. Since the advent of the Internet as a global mass medium, the American conceptual artist Kenneth Goldsmith himself, using rudimentary HTML code and without asking permission, has collected, organized and provided access to otherwise difficult-to-access works of experimental film, video art, contemporary theater, conceptual poetry and concrete music. Years before museums and archives of contemporary art began to digitize material from their depots, Ubu was a place to discover important works of cultural history and potentially the cultural future. However, in times of digital platforms, surveillance and intellectual property restrictions, precious archives like Ubu can disappear overnight. As Custodians.online once wrote in a birthday card for Ubu's 20th: > Everything is temporary, even after 20 years. Servers crash, disks die, life changes and shit happens. Care and redundancy is the only path to longevity.