From 7b4a7fd99cf24d1b0b0ece698d0ae9db7759f251 Mon Sep 17 00:00:00 2001 From: Tomislav Medak Date: Sun, 29 Aug 2021 13:37:31 -0700 Subject: [PATCH] Update 'content/author/mikecooper.md' --- content/author/mikecooper.md | 4 +++- 1 file changed, 3 insertions(+), 1 deletion(-) diff --git a/content/author/mikecooper.md b/content/author/mikecooper.md index f2f5d82..057a303 100644 --- a/content/author/mikecooper.md +++ b/content/author/mikecooper.md @@ -2,4 +2,6 @@ title="Mike Cooper" +++ -For the past 50 years he has been an international artistic explorer constantly pushing the boundaries. He plays lap steel guitar and sings, he is an improviser and composer, song-maker, a visual and installation artist; film and video maker and radio arts producer. Initially a folk-blues guitarist he is as responsible as anyone else — and more so than many — for ushering in the acoustic blues boom in the U.K. in the mid ’60s. He has, arguably, stretched the possibilities of that genre even more than his better known contemporaries Davy Graham, Bert Jansch, John Renbourne etc. by pursuing it into the more avant-garde musical areas occupied by guitar innovators such as Elliott Sharp, Keith Rowe, Fred Frith and Marc Ribot, with an eclectic mix of the many styles he has practiced over the years. Ranging freely through free improvisation, his own idiosyncratic original songs, electro-acoustic music, exotica, traditional country blues, folk, pop songs, and ‘sonic gestural’ playing utilising open tunings, extended guitar techniques and electronics. \ No newline at end of file +For the past 50 years he has been an international artistic explorer constantly pushing the boundaries. He plays lap steel guitar and sings, he is an improviser and composer, song-maker, a visual and installation artist; film and video maker and radio arts producer. Initially a folk-blues guitarist he is as responsible as anyone else — and more so than many — for ushering in the acoustic blues boom in the U.K. in the mid ’60s. + +He has, arguably, stretched the possibilities of that genre even more than his better known contemporaries Davy Graham, Bert Jansch, John Renbourne etc. by pursuing it into the more avant-garde musical areas occupied by guitar innovators such as Elliott Sharp, Keith Rowe, Fred Frith and Marc Ribot, with an eclectic mix of the many styles he has practiced over the years. Ranging freely through free improvisation, his own idiosyncratic original songs, electro-acoustic music, exotica, traditional country blues, folk, pop songs, and ‘sonic gestural’ playing utilising open tunings, extended guitar techniques and electronics. \ No newline at end of file