!publish! minor typos..

config.toml

@@ -56,6 +56,9 @@ target = "static"
 source = "data"
 target = "data"
 [[module.imports.mounts]]
+source = "customizations/Dotawo/static/fonts"
+target = "static/fonts"
+[[module.imports.mounts]]
 source = "exampleSite/content/metadata/_index.md"
 target = "content/metadata/_index.md"
 [[module.imports.mounts]]

content/author/annamariaortese.md

@@ -2,4 +2,4 @@
 title="Anna Maria Ortese"
 +++
 
-![Anna Maria Ortese](https://en.wikipedia.org/wiki/Anna_Maria_Ortese) (June 14, 1914 – March 10, 1998) was an Italian author of novels, short stories, poetry, and travel writing. Born in Rome, she grew up between southern Italy and Tripoli, with her formal education ending at age thirteen. Her first book, *Angelici dolori*, was issued in 1937. In 1953 her third collection, *Il mare non bagna Napoli*, won the coveted Viareggio Prize; thereafter, Ortese's stories, novels, and journalism received many of the most distinguished Italian literary awards, including the Strega and the Fiuggi. Although she lived for many years in Naples following the Second World War, she also resided in Milan, in Rome, and for most of the last twenty years of her life in Rapallo. *L'iguana*, Ortese’s best known work in English translation, was published in 1987 as *The Iguana*.
+[Anna Maria Ortese](https://en.wikipedia.org/wiki/Anna_Maria_Ortese) (June 14, 1914 – March 10, 1998) was an Italian author of novels, short stories, poetry, and travel writing. Born in Rome, she grew up between southern Italy and Tripoli, with her formal education ending at age thirteen. Her first book, _Angelici dolori_, was issued in 1937. In 1953 her third collection, _Il mare non bagna Napoli_, won the coveted Viareggio Prize; thereafter, Ortese's stories, novels, and journalism received many of the most distinguished Italian literary awards, including the Strega and the Fiuggi. Although she lived for many years in Naples following the Second World War, she also resided in Milan, in Rome, and for most of the last twenty years of her life in Rapallo. _L'iguana_, Ortese’s best known work in English translation, was published in 1987 as _The Iguana_.

content/author/barbaraellensmith.md

@@ -2,6 +2,6 @@
 title="Barbara Ellen Smith"
 +++
 
-![Barbara Ellen Smith](https://wikitia.com/wiki/Barbara_Ellen_Smith) (born December 3, 1951) is an American author, activist, and educator. Smith is known for her involvement and writing about social justice in Appalachia, particularly the Black lung movement and advocacy for coal miners. Her most recent book (*Appalachia and the Health of the Nation*), an updated edition to her 1987 published dissertation, focuses on the decline of the coal industry in Appalachia, the economic and health crises coal miners face, and what the future looks like in terms of environmental justice. After relocating to West Virginia, she worked closely with the Black Lung Association (BLA), and she was volunteering at the time of the Buffalo Creek Disaster in 1972. Prior to her teaching career, Smith served as Director of Research and Education at the Southeast Women's Employment Coalition (SWEC) in Lexington, Kentucky, and as a Board member for the Highlander Research and Education Center. It was at this period that she became interested in women's and gender issues, of which she has a long list of written contributions.
+[Barbara Ellen Smith](https://wikitia.com/wiki/Barbara_Ellen_Smith) (born December 3, 1951) is an American author, activist, and educator. Smith is known for her involvement and writing about social justice in Appalachia, particularly the Black lung movement and advocacy for coal miners. Her most recent book (_Appalachia and the Health of the Nation_), an updated edition to her 1987 published dissertation, focuses on the decline of the coal industry in Appalachia, the economic and health crises coal miners face, and what the future looks like in terms of environmental justice. After relocating to West Virginia, she worked closely with the Black Lung Association (BLA), and she was volunteering at the time of the Buffalo Creek Disaster in 1972. Prior to her teaching career, Smith served as Director of Research and Education at the Southeast Women's Employment Coalition (SWEC) in Lexington, Kentucky, and as a Board member for the Highlander Research and Education Center. It was at this period that she became interested in women's and gender issues, of which she has a long list of written contributions.
 
 A scholar of Women's and Gender Studies and Appalachian Studies for more than 40 years,[4] Smith was Director of the Women's Studies Program and the Director of the Center for Research on Women at the University of Memphis. She started teaching at Virginia Polytechnic Institute in 2005 and eventually became Director of the Women's and Gender Studies Program, which has since transitioned into the Department of Sociology.

content/author/francoiseverges.md

@@ -6,6 +6,6 @@ title="Françoise Vergès"
 
 Françoise Vergès (born 23 January 1952) is a French political scientist, historian, film producer, independent curator, activist and public educator. Her work focuses on postcolonial studies and decolonial feminism.
 
-Vergès was born in Paris, grew up in Réunion and Algeria, before returning to Paris to study and become a journalist. She moved to the US in 1983, studying at the University of California, San Diego and Berkeley.[1]
+Vergès was born in Paris, grew up in Réunion and Algeria, before returning to Paris to study and become a journalist. She moved to the US in 1983, studying at the University of California, San Diego and Berkeley.
 
-Vergès' book A Decolonial Feminism was published in English in 2021, translated by Ashley J. Bohrer along with Vergès, with the support of an English PEN Translates award
+Vergès' book A Decolonial Feminism was published in English in 2021, translated by Ashley J. Bohrer along with Vergès, with the support of an English PEN Translates award.

content/author/gillodorfles.md

@@ -1,7 +1,9 @@
 +++
 title="Gillo Dorfles"
 +++
+
 # Biography
-Nato a Trieste nell'allora Austria-Ungheria da padre goriziano di origine ebraica[2] e madre genovese, si laureò in Medicina, con specializzazione in Psichiatria[3]. Parallelamente agli studi in ambito medico, sin dai primi anni trenta si dedicò allo studio della pittura, dell'estetica e in generale delle arti[4]. La conoscenza dell'antroposofia di Rudolf Steiner, acquisita a partire dal 1934 grazie alla partecipazione a un ciclo di conferenze a Dornach,[5] orienta la sua arte pittorica verso il misticismo, denotando una vicinanza più ai temi dominanti dell'area mitteleuropea che a quelli propri della pittura italiana coeva.
+
-Professore di Estetica presso le università di Milano, di Cagliari e di Trieste, nel 1948 fondò, insieme ad Atanasio Soldati, Galliano Mazzon, Gianni Monnet e Bruno Munari, il Movimento per l'arte concreta, del quale contribuì a precisare le posizioni attraverso una prolifica produzione di articoli, saggi e manifesti artistici.[5] Per tutti gli anni cinquanta prende parte a numerose mostre del MAC, in Italia e all'estero: espone i suoi dipinti alla Libreria Salto di Milano nel 1949[6] e nel 1950 e in numerose collettive, tra le quali la mostra del 1951 alla Galleria Bompiani di Milano,[7] l'esposizione itinerante in Cile e Argentina nel 1952, e la grande mostra Esperimenti di sintesi delle arti, svoltasi nel 1955 nella Galleria del Fiore di Milano.
+Nato a Trieste nell'allora Austria-Ungheria da padre goriziano di origine ebraica e madre genovese, si laureò in Medicina, con specializzazione in Psichiatria. Parallelamente agli studi in ambito medico, sin dai primi anni trenta si dedicò allo studio della pittura, dell'estetica e in generale delle arti. La conoscenza dell'antroposofia di Rudolf Steiner, acquisita a partire dal 1934 grazie alla partecipazione a un ciclo di conferenze a Dornach, orienta la sua arte pittorica verso il misticismo, denotando una vicinanza più ai temi dominanti dell'area mitteleuropea che a quelli propri della pittura italiana coeva.
-Nel 1954 risulta componente di una sezione italiana del gruppo ESPACE. Nel 1956 diede il suo contributo alla realizzazione dell'Associazione per il disegno industriale. Si dedicò quindi in maniera pressoché esclusiva all'attività critica sino a metà degli anni ottanta[8]. Solo nel 1986, con la personale presso lo Studio Marconi di Milano, tornò a rendere pubblica la propria produzione pittorica, che ha coltivato anche negli anni successivi.
+Professore di Estetica presso le università di Milano, di Cagliari e di Trieste, nel 1948 fondò, insieme ad Atanasio Soldati, Galliano Mazzon, Gianni Monnet e Bruno Munari, il Movimento per l'arte concreta, del quale contribuì a precisare le posizioni attraverso una prolifica produzione di articoli, saggi e manifesti artistici. Per tutti gli anni cinquanta prende parte a numerose mostre del MAC, in Italia e all'estero: espone i suoi dipinti alla Libreria Salto di Milano nel 1949 e nel 1950 e in numerose collettive, tra le quali la mostra del 1951 alla Galleria Bompiani di Milano, l'esposizione itinerante in Cile e Argentina nel 1952, e la grande mostra Esperimenti di sintesi delle arti, svoltasi nel 1955 nella Galleria del Fiore di Milano.
+Nel 1954 risulta componente di una sezione italiana del gruppo ESPACE. Nel 1956 diede il suo contributo alla realizzazione dell'Associazione per il disegno industriale. Si dedicò quindi in maniera pressoché esclusiva all'attività critica sino a metà degli anni ottanta. Solo nel 1986, con la personale presso lo Studio Marconi di Milano, tornò a rendere pubblica la propria produzione pittorica, che ha coltivato anche negli anni successivi.

content/author/giuseppestampone.md

@@ -1,5 +1,7 @@
 +++
 title="Giuseppe Stampone"
 +++
+
 # Biography
-Giuseppe Stampone (born in Cluses, France) is a visual artist who lives and works between Rome and Brussels. His artistic production ranges from multimedia installations[1] and videos to drawings made with Bic pen,[2] a technique common to several of his projects.[3] The work of Giuseppe Stampone is that of an artist-activist in an age of so-called crisis.[4] In a time of rising public vigilance, his art is unabashedly a potent form of political protest.[5][6] He is the founder of Solstizio Project, in collaboration with the European Union and developed in different Countries of the world. Stampone collaborates with various universities as the Accademia delle Belle Arti di Urbino where he teaches "Tecniche e Tecnologie delle Arti Visive" IULM of Milan, the Federico II University of Naples and the McLuhan Program in Culture and Technology of Toronto. He elaborates interventions of research and experimentation about art and new media with Alberto Abruzzese and Derrick De Kerckhove.[7]
+
+Giuseppe Stampone (born in Cluses, France) is a visual artist who lives and works between Rome and Brussels. His artistic production ranges from multimedia installations and videos to drawings made with Bic pen, a technique common to several of his projects. The work of Giuseppe Stampone is that of an artist-activist in an age of so-called crisis. In a time of rising public vigilance, his art is unabashedly a potent form of political protest. He is the founder of Solstizio Project, in collaboration with the European Union and developed in different Countries of the world. Stampone collaborates with various universities as the Accademia delle Belle Arti di Urbino where he teaches "Tecniche e Tecnologie delle Arti Visive" IULM of Milan, the Federico II University of Naples and the McLuhan Program in Culture and Technology of Toronto. He elaborates interventions of research and experimentation about art and new media with Alberto Abruzzese and Derrick De Kerckhove.

content/author/johnberger.md

@@ -1,3 +1,7 @@
 +++ 
 title="John Berger" 
 +++
+
+# Biography
+
+John Peter Berger (/ˈbɜːrdʒər/; 5 November 1926 – 2 January 2017) was an English art critic, novelist, painter and poet. His novel G. won the 1972 Booker Prize, and his essay on art criticism Ways of Seeing, written as an accompaniment to the BBC series of the same name, is often used as a university text. He lived in France for over fifty years.

content/author/laboratoriocrash.md

@@ -2,9 +2,7 @@
 title="Laboratorio Crash!"
 +++
 
-
+[Il Laboratorio Crash!](https://www.redstarpress.it/laboratorio-crash/) è un’esperienza politica nata a Bologna dopo il G8 di Genova del 2001, consolidatasi negli anni successivi all’interno di una dura battaglia contro l’amministrazione cittadina di Sergio Cofferati, condotta attraverso lotte sociali e numerose occupazioni.
-
-![Il Laboratorio Crash!](https://www.redstarpress.it/laboratorio-crash/) è un’esperienza politica nata a Bologna dopo il G8 di Genova del 2001, consolidatasi negli anni successivi all’interno di una dura battaglia contro l’amministrazione cittadina di Sergio Cofferati, condotta attraverso lotte sociali e numerose occupazioni.
 
 Crash! fa parte del network Infoaut, e negli anni Dieci è stato un percorso protagonista e crocevia di autogestione e conflitti sociali, dal mondo studentesco agli scioperi nella logistica, dalle lotte ambientali a quelle per il diritto all’abitare.
 

content/author/murraybookchin.md

@@ -2,8 +2,6 @@
 title="Murray Bookchin"
 +++
 
-
+[Murray Bookchin](https://en.wikipedia.org/wiki/Murray_Bookchin) (January 14, 1921 – July 30, 2006) was an American communalist, political philosopher, trade-union organizer, and educator. A pioneer in the environmental movement, Bookchin formulated and developed the theory of social ecology and urban planning, within anarchist, libertarian socialist, and ecological thought. He was the author of two dozen books covering topics in politics, philosophy, history, urban affairs, and social ecology. Among the most important were _Our Synthetic Environment_ (1962), _Post-Scarcity Anarchism_ (1971), _The Ecology of Freedom_ (1982) and _Urbanization Without Cities_ (1987). In the late 1990s, he became disenchanted with what he saw as an increasingly apolitical "lifestylism" of the contemporary anarchist movement, stopped referring to himself as an anarchist, and founded his own libertarian socialist ideology called communalism, which seeks to reconcile Marxist and anarchist thought.
-
-![Murray Bookchin](https://en.wikipedia.org/wiki/Murray_Bookchin) (January 14, 1921 – July 30, 2006) was an American communalist, political philosopher, trade-union organizer, and educator. A pioneer in the environmental movement, Bookchin formulated and developed the theory of social ecology and urban planning, within anarchist, libertarian socialist, and ecological thought. He was the author of two dozen books covering topics in politics, philosophy, history, urban affairs, and social ecology. Among the most important were *Our Synthetic Environment* (1962), *Post-Scarcity Anarchism* (1971), *The Ecology of Freedom* (1982) and *Urbanization Without Cities* (1987). In the late 1990s, he became disenchanted with what he saw as an increasingly apolitical "lifestylism" of the contemporary anarchist movement, stopped referring to himself as an anarchist, and founded his own libertarian socialist ideology called communalism, which seeks to reconcile Marxist and anarchist thought.
 
 Bookchin was a prominent anti-capitalist and advocate of social decentralization along ecological and democratic lines. His ideas have influenced social movements since the 1960s, including the New Left, the anti-nuclear movement, the anti-globalization movement, Occupy Wall Street, and more recently, the democratic confederalism of Rojava. He was a central figure in the American green movement and the Burlington Greens.

content/author/peterweibel.md

@@ -1,5 +1,7 @@
 +++
 title="Peter Weibel"
 +++
+
 # Biography
-(German: [ˈvaɪbəl]; born 5 March 1944 in Odessa, USSR[1]) is an internationally known Austrian post-conceptual artist, curator and new media theoretician. He started out in 1964 as a visual poet but soon jumped from the page to the screen within the sense of post-structuralist methodology. Thanks to this linguistic input into his visual media works, Weibel developed a critical impulse that turned against society and the media, while investigating virtual reality and other digital art forms.[2] Since 1999 he has been director of the ZKM Center for Art and Media Karlsruhe.
+
+(German: [ˈvaɪbəl]; born 5 March 1944 in Odessa, USSR) is an internationally known Austrian post-conceptual artist, curator and new media theoretician. He started out in 1964 as a visual poet but soon jumped from the page to the screen within the sense of post-structuralist methodology. Thanks to this linguistic input into his visual media works, Weibel developed a critical impulse that turned against society and the media, while investigating virtual reality and other digital art forms. Since 1999 he has been director of the ZKM Center for Art and Media Karlsruhe.

content/author/pietrogilardi.md

@@ -2,7 +2,7 @@
 title="Pietro Gilardi"
 +++
 
-![Piero Gilardi](https://en.wikipedia.org/wiki/Piero_Gilardi) (born 1942, Turin) is a visual artist. Born in Italy from a Swiss family, he studied at the Liceo Artistico in Turin. In an interview with LeGrace G. Benson, Gilardi stated that his personal encounter with artist Michelangelo Pistoletto and others helped him in the development of his own artwork (in parallel with that of American Pop Art). While trying to comprehend the cybernetic idea of feedback and the scientific rational behind man's mental synthesis, his perspective on reality changed; he then focused on the fluxus and relationship of things around him.
+[Piero Gilardi](https://en.wikipedia.org/wiki/Piero_Gilardi) (born 1942, Turin) is a visual artist. Born in Italy from a Swiss family, he studied at the Liceo Artistico in Turin. In an interview with LeGrace G. Benson, Gilardi stated that his personal encounter with artist Michelangelo Pistoletto and others helped him in the development of his own artwork (in parallel with that of American Pop Art). While trying to comprehend the cybernetic idea of feedback and the scientific rational behind man's mental synthesis, his perspective on reality changed; he then focused on the fluxus and relationship of things around him.
 
 A catalytic figure in the Arte Povera movement, concentrated in Turin in the late 1960s, Gilardi's utopian and unselfish dedication to connecting neo-avant garde artists across Western Europe and North America made him one of the most influential artistic figures of the period, albeit not the most famous. He became known in the international scene and witnessed the impact of Pop Art Europe. Itinerant artist, theorist, and organizer, he contributed to the birth of Arte Povera, especially working to establish relationships with other similar initiatives that occurred simultaneously outside Italy, supporting the work artists such as Richard Long and Jan Dibbets, introducing the one of Bruce Nauman and Eva Hesse in Europe.
 

content/reflection/margine.md

@@ -1,7 +1,6 @@
 +++
 editors = ["chiara.md", "dario.md", "raytrayen.md", "sunaina.md"]
-has_highlights = ["attivismo.md", "ecologicalunequalexchange.md", "cultura.md", "ultrabandiere.md", "globalizzazione.md", "scuola.md", "primitivo.md", "streets.md", "bordometropolitano.md", "confino.md", "luxuryexperience.md", "presupposti.md", "mediterraneanblue.md", "affettuosamente.md", "borges.md", "trasnscriptchambers.md", "oceanmap.md", "espacelibre.md", "lebanon.md"]
+has_highlights = ["attivismo.md", "ecologicalunequalexchange.md", "cultura.md", "ultrabandiere.md", "globalizzazione.md", "scuola.md", "primitivo.md", "streets.md", "bordometropolitano.md", "confino.md", "luxuryexperience.md", "presupposti.md", "mediterraneanblue.md", "affettuosamente.md", "borges.md", "trasnscriptchambers.md"]
-
 title = "Agire il margine - alleanze e prospettive"
 +++
 
@@ -11,9 +10,9 @@ La seguente riflessione è scaturita da un’analisi effettuata attorno i divers
 
 Dai vari contributi ricevuti sono emerse delle parole chiave dalle quali si articola il nostro discorso. Prima di esporre la nostra analisi riteniamo sia utile condividere un piccolo glossario per meglio definire il significato del lessico che abbiamo deciso di utilizzare.
 
-* Privilegio: condizione dovuta da differenti fattori quali appartenenza ad una certa classe sociale, provenienza, genere,  
+- Privilegio: condizione dovuta da differenti fattori quali appartenenza ad una certa classe sociale, provenienza, genere,
-* Margine/confine/bordo/interstizio: spazio di possibilità nel quale esplodono le contraddizioni in maniera più evidente; spazio ideale nel quale con le contraddizioni ci si deve conforntare e scontrare. Il margine è abitato da chi sta dentro, e non ha altra scelta e da chi invece, partendo da posizioni di privilegio, decide di starci. Chi ne resta fuori o ne resta indifferente, disconosce invece, il fatto di vivere in una società fatta di contraddizioni.
+- Margine/confine/bordo/interstizio: spazio di possibilità nel quale esplodono le contraddizioni in maniera più evidente; spazio ideale nel quale con le contraddizioni ci si deve conforntare e scontrare. Il margine è abitato da chi sta dentro, e non ha altra scelta e da chi invece, partendo da posizioni di privilegio, decide di starci. Chi ne resta fuori o ne resta indifferente, disconosce invece, il fatto di vivere in una società fatta di contraddizioni.
-* Alleanza: quel rapporto biopolitico che si costruisce dentro il margine attuando pratiche di mutua solidarietà, cura e cooperazione, nutrita da istanze di emancipazione e pratiche di partecipazione attiva.
+- Alleanza: quel rapporto biopolitico che si costruisce dentro il margine attuando pratiche di mutua solidarietà, cura e cooperazione, nutrita da istanze di emancipazione e pratiche di partecipazione attiva.
 
 Per unapprofondimeto sul concetto di bordo rimandiamo all’estratto ![](highlight:bordometropolitano.md).
 
@@ -54,9 +53,9 @@ The following reflection arose from an analysis carried out around different hig
 
 Our conversation is articulated through some key words which emerged from the various contributions we received. Before presenting our analysis, we believe it is useful to share a small glossary in order to better define the meaning of the lexicon we have decided to use:
 
-* Privilege: a condition provoked by different factors, such as belonging to a certain social class, origin, gender.
+- Privilege: a condition provoked by different factors, such as belonging to a certain social class, origin, gender.
-* Margin / border / edge / interstice: space of possibility in which contradictions explode in a more evident way; ideal space in which contradictions must be confronted and clashed with. The margin is inhabited by those who are inside, and have no other choice and by those who, starting from positions of privilege, decide to stay there. However, those who remain outside of it or remain indifferent to it, ignore the fact that they are living in a society made up of contradictions.
+- Margin / border / edge / interstice: space of possibility in which contradictions explode in a more evident way; ideal space in which contradictions must be confronted and clashed with. The margin is inhabited by those who are inside, and have no other choice and by those who, starting from positions of privilege, decide to stay there. However, those who remain outside of it or remain indifferent to it, ignore the fact that they are living in a society made up of contradictions.
-* Alliance: that biopolitical relationship that is built within the margin by implementing practices of mutual solidarity, care and cooperation, nourished by instances of emancipation and practices of active participation.
+- Alliance: that biopolitical relationship that is built within the margin by implementing practices of mutual solidarity, care and cooperation, nourished by instances of emancipation and practices of active participation.
 
 For a more in-depth look at the concept of border, we point the reader to the extract ![](highlight:bordometropolitano.md).
 
@@ -74,7 +73,6 @@ The reflection on the margin could be concluded with a reference to a socio-poli
 
 "Each name [in the city of artisans] was a branch of life, it was the memory of a moment of collective life. The road map was like a patrimony of memories, of affections which deeply tied individuals to the bonds of solidarity through memory. The merchant bourgeoisie destroyed this heritage. ... All the princes, regents, ministers, and generals of the House of Savoy have had their place. ... The encyclopedia provided the rest. The bourgeois city is cosmopolitan, that is, a false international, a false universality. ... It is the triumph of the colorless and tasteless cosmopolis.[^6]
 
-
 So what could be the mode of action? Those who choose to act on the margins should propose alliances of horizontal cooperation with those who are forced to remain on the margins.[^7] This, so as not to reproduce veiled forms of colonialism; in the words of Lila Waston "If you have come to help me, you are wasting your time, but if you have come because your liberation is linked to mine, let us work together".[^8]
 
 In order to clear the field and open up to other practices, it is necessary to strive for a reversal of Eurocentric education and thus of the dominant and hegemonic narrative.
@@ -113,21 +111,20 @@ To use Aime's words:
 
 ...
 
-
 [^1]: L’etimologia di con-fino è legata al termine confine, cioè cum+finis, nel limite. Stare nel limite signifia, stare in un orizzonte allo stesso tempo di separazione e di contatto.
-[^2]: ![](ecologicalunequalexchange.md)
+[^2]: ![](highlight:ecologicalunequalexchange.md)
-[^3]: ![](scuola.md)
+[^3]: ![](highlight:scuola.md)
-[^4]: ![](primitivo.md)
+[^4]: ![](highlight:primitivo.md)
-[^5]: ![](globalizzazione.md)
+[^5]: ![](highlight:globalizzazione.md)
-[^6]: ![](streets.md)
+[^6]: ![](highlight:streets.md)
-[^7]: Piero Gilardi, *Compost*. Riflessioni sull'ecocentrismo, K-pocket guide Kabul Magazine, 2017
+[^7]: Piero Gilardi, _Compost_. Riflessioni sull'ecocentrismo, K-pocket guide Kabul Magazine, 2017
-[^8]: ![](presupposti.md)
+[^8]: ![](highlight:presupposti.md)
 [^9]: Intervento di Lucrezia Cippitelli al MAC - Museo di Arte Contemporanea di Calasetta il 29/08/2021
-[^10]: ![](mediterraneanblue.md)
+[^10]: ![](highlight:mediterraneanblue.md)
-[^11]: ![](affettuosamente.md)
+[^11]: ![](highlight:affettuosamente.md)
-[^12]: ![](borges.md)
+[^12]: ![](highlight:borges.md)
 [^13]: http://www.cherimus.net/
 [^14]: https://www.guerrillaspam.it
-[^15]: ![](ultrabandiere.md) 
+[^15]: ![](highlight:ultrabandiere.md)
-[^16]: ![](trasnscriptchambers.md)
+[^16]: ![](highlight:trasnscriptchambers.md)
-[^17]: ![](cultura.md)
+[^17]: ![](highlight:cultura.md)